Results 21 to 30 of about 290 (177)
The Rosary and the Rose: Clergymen as Creators of Secular Poetry and Music in Early-modern Balkans
This paper deals with the involvement of Greek clergy in secular poetry and music in early-modern Balkans. This trend began in late-16th century, and involved the production of large anthologies and treatises on Ottoman music.
John Plemmenos
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Musical Sources in the Ottoman Archive
Although, Ottoman Archives consist of many important documents related to music, coming from different historical eras, very limited studies have been carried out on these documents. There are some reasons for this. First of all, the Ottoman archive has a very complicated catalogue system.
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This study examines how Rauf Yekta positioned Turkish classical music in contrast to other musical genres while formulating it as a distinct category. Elements of traditional Ottoman music that appealed to elite tastes were associated with the category ...
Onur Güneş Ayas
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Music in ottoman higher education
The Imperial Edict of Gulhane (1839) brought unprecedented reforms to the Ottoman higher education. With the foundation of modern educational institutions, education of arts and sciences began to gain a more westernized look. During this transition, music education secured a better position in these modern colleges. The purpose of this study is to give
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Ottoman Music In Travel Books: A Path To Restructure The Forgotten Ottoman Musical Instruments
The primary aim of this study is to demonstrate the important historical contribution made by written accounts of Ottoman and European travelers regarding Ottoman musical practices. This article reflects information gleaned from a larger research project that ultimately aims to illuminate the role and usage of various Ottoman-era instruments that have ...
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Echoes of Unity: The Shared Musical Memory of Safavid Tabriz and Ottoman Konya
Throughout history, Tabriz and Konya have stood as two of the most significant centers of cultural and mystical life in the Islamic world. However, the musical interactions between Safavid-era Tabriz and Ottoman Konya, particularly within the Mevlevi ...
Tara Saiyah
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Traditional music of Prizren Gora in the shadow of the Ottoman empire [PDF]
Located at the southernmost part of Kosovo and Metohija, on the slopes of the Sharr Mountains, Gora represents a place once inhabited by the Serbian Orthodox population, who converted to Islam under the Turkish occupation of the Balkans.
Ranković Sanja
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Mapping the Links: Network Perspectives on Musician Communities of Late Ottoman Istanbul
The core idea of this paper is to represent the social networks of musicians, which lived in late Ottoman Istanbul. The networked society, as a social term, aims to depict communities in ongoing interactions and hence gives prominence to ties and ...
Onur Öner
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Abstract This article investigates the symbolic politics of state‐led gentrification and heritagization, focusing on how these processes serve to ‘glorify’ state power. Drawing on Agamben's political theology, Bourdieu's notion of symbolic power and space, and political heritage studies, we argue that the symbolic politics of state glorification can ...
Wouter van Gent +2 more
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ABSTRACT The January 24 Decisions of 1980 and the subsequent Özal era marked a profound rupture, carrying Türkiye from an import substitution economy to an outward‐oriented, “free‐market” order. Drawing on Michel Foucault's concept of neoliberal governmentality, this study conducts a qualitative, interpretivist discourse analysis of Turgut Özal's ...
Muhammed Salim Danış
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