Results 41 to 50 of about 290 (177)
TWO ITALIAN MUSICIANS OF OTTOMAN EMPIRE: GIUSEPPE DONIZETTI AND CALLISTO GUATELLI
Zeitschrift für die Welt der Türken, 2010 In the Ottoman Empire history, 19th century represents the beginning of a westernization process. This movement involves westernization in social, political and economical areas as well as music. To adapt western musical system, first to the military and
Evren KUTLAY BAYDAR
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Analysis of the Opera Kerem by Akhmet Adnan Saygun
Вісник Київського національного університету культури і мистецтв. Серія: Музичне мистецтво, 2021 The article analyzes the musical language of the opera Kerem by A. Adnan Saygun. Ahmet Adnan Saygun was born during the Ottoman period and lived in the newly created Republic of Turkey. Saygun is one of the founders of the Turkish School of Composing, as
Айсель Асадова
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Population, Space and Place, Volume 32, Issue 5, July 2026.ABSTRACT Refugee camps have long been theorized as spaces of exception, where sovereign power reduces displaced people to what Agamben terms ‘bare life’. While this frame captures the violence of camp governance, it depicts refugee‐migrants as passive and says little about how camp space is inhabited, contested and remade in everyday life, least of all
Orkide Izci
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The Gender of Fossil Fuels: Oil and Domestic Perils in Mandate Palestine
Gender &History, Volume 38, Issue 2, Page 611-625, July 2026.ABSTRACT This article explores the gender dynamics behind the rise of kerosene – an oil derivative – as the main domestic fuel in Mandate Palestine. It argues that these dynamics were constitutive in determining who began to use oil, where and for what purposes, in turn demonstrating that women in Palestine were the promoters and targets of a campaign ...
Shira Pinhas
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Curator: The Museum Journal, Volume 69, Issue 3, Page 373-389, July 2026.ABSTRACT This article examines the role of museums in the construction of national identity during the Early Republican Period in Turkey (1923–1950). Drawing on theoretical approaches that interpret museums as spaces in which collective memory and national identity are materially organized and publicly communicated, the study analyzes museums as key ...
Duygu Atalay Şimşek
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Nations and Nationalism, Volume 32, Issue 3, Page 594-605, July 2026.ABSTRACT This article explores Russia's genocidal discourses on Ukrainians, focusing on the predominant narrative that frames cultural genocide as the ‘liberation’ of Ukrainians through the erasure of their cultural identity. Existing literature tends to overlook this form of genocidal discourse, which diverges from typical ‘othering’ by instead ...
Martin Laryš
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A SUBCULTURE MUSICAL COFFEE HOUSE IN THE ENTERTAINMENT LIFE OF OTTOMAN: AMANE COFFEE HOUSES/ OSMANLI EĞLENCE HAYATINDA BİR ALT KÜLTÜR MÜZİKLİ KAHVEHÂNE: AMANE KAHVEHÂNELERİ [PDF]
Folklor/Edebiyat, 2018 There were some places in the entertainment life of Ottoman addressing to various cultural levels and nearly all of them were musical in nature. Coffee houses as one of these places differ from the other musical entertainment places because of the fact
Mehtap Demir
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Religio‐Governmental Infrastructures: Islam, Infrastructure, and Populist Mobilization in Turkey
American Anthropologist, Volume 128, Issue 2, Page 272-283, June 2026.ABSTRACT Turkish mosques are staffed by state‐appointed imams and callers to prayer whose practices are regulated through a complex bureaucratic network operating on an internet‐based data‐management and communication infrastructure. A centralized mosque loudspeaker network enables the broadcast of calls to prayer and other Islamic recitations across ...
Hikmet Kocamaner
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LOOKING BACH AND BUFFARDIN’S ISTANBUL MEETING FROM A TURKISH MUSIC HISTORICAL PERSPECTIVE
Zeitschrift für die Welt der Türken, 2010 Beginning with 16. century, Ottoman Empire began to encounter and get acquinted with Western music either through the Consulates that came to Ottoman lands from Europe or through their Consulates that they sent to different European Countries, or through
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The Cairo Takiyya Mawlawiyya (1033H/ 1623AD): Spirit of the Arts and Sufi Inscriptions
Journal of Architecture, Art & Humanistic Science, 2019 The Takiyya Mawlawiyya in Cairo is a unique example of architecture in form, design and function, and the complete model of the takiyya, which was created specifically for the ceremonial Mawlawi Derwishes rituals, as well as the rest of the architectural
Radwa Zaki
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