Results 51 to 60 of about 1,323 (220)

The recording career of Vasílis Tsitsánis (1936-1983) An analysis of his music and the problems of research into Greek popular music [PDF]

open access: yes, 2012
There is a clear and abundant evidence to suggest that Vasílis Tsitsánis (1915-1984) was a well known songwriter, bouzouki virtuoso, lyricist and singer both in Greece and abroad.
Ordoulidis, Nikolaos
core  

Traces of the Ottoman musical tradition in early 20th-century Western-style Turkish art music [PDF]

open access: yes, 2019
The Turkish Five (Türk Beşleri) is a name given to a group of composers whose works set out the direction for modern Western-style Turkish art music. After the proclamation of the Republic of Turkey in 1923, the new generation of musicians trained in ...
Pawlina, Agata
core   +1 more source

THE TRAFFIC IN REPAIRMEN AND A CASE OF GENDER IMPROPRIETY IN POST‐WAR SARAJEVO

open access: yesCultural Anthropology, Volume 41, Issue 2, Page 275-296, May 2026.
ABSTRACT In postwar Sarajevo, repair is mainly a masculine activity, and people lean on communal networks to get things fixed under dire economic circumstances. Yet increased numbers of women without men in their households as an effect of the war necessitate the mediation of other women in facilitating access to men's labor.
HALİDE VELİOĞLU
wiley   +1 more source

A SUBCULTURE MUSICAL COFFEE HOUSE IN THE ENTERTAINMENT LIFE OF OTTOMAN: AMANE COFFEE HOUSES/ OSMANLI EĞLENCE HAYATINDA BİR ALT KÜLTÜR MÜZİKLİ KAHVEHÂNE: AMANE KAHVEHÂNELERİ [PDF]

open access: yesFolklor/Edebiyat, 2018
There were some places in the entertainment life of Ottoman addressing to various cultural levels and nearly all of them were musical in nature. Coffee houses as one of these places differ from the other musical entertainment places because of the fact
Mehtap Demir
doaj   +1 more source

National Colonialism: Nation‐State, Colonialism and Colonisation of Kurdistan

open access: yesNations and Nationalism, Volume 32, Issue 2, Page 414-425, April 2026.
ABSTRACT This article develops the concept of ‘national colonialism’ to capture colonial relations in the nation‐state form. It does so through a critical appraisal of the concept of ‘internal colonialism’, which largely fails to explain the links between nationalism and colonial relations.
Behnam Amini
wiley   +1 more source

THE EFFECT OF EUROPEAN CULTURE ON OTTOMAN ART MUSIC

open access: yes, 2010
During the many years I was taught the Ottoman Art Music system, I came to know that the original way of playing had been seriously affected by influences which came from the European idea of music theory. When I came to prepare the book which formed the
Dr. Alan Wenham-Prosser DProf., MA. (8335401)   +1 more
core   +1 more source

The Cairo Takiyya Mawlawiyya (1033H/ 1623AD): Spirit of the Arts and Sufi Inscriptions

open access: yesJournal of Architecture, Art & Humanistic Science, 2019
The Takiyya Mawlawiyya in Cairo is a unique example of architecture in form, design and function, and the complete model of the takiyya, which was created specifically for the ceremonial Mawlawi Derwishes rituals, as well as the rest of the architectural
Radwa Zaki
doaj   +1 more source

Spatial Politics of Encounter: Erenler Coffeehouse and the Making of an Inclusive Public Sphere in 1980s Istanbul

open access: yesGeography Compass, Volume 20, Issue 3, March 2026.
ABSTRACT This study examines how an inclusive public sphere was constructed at Erenler, a literary coffeehouse in 1980s Istanbul, amid Turkey's post‐coup authoritarian climate and deepening ideological fragmentation. In the aftermath of the military coup, a period marked by traumatic depoliticization and the suppression of public sphere, Erenler ...
Ahmet Uysal   +2 more
wiley   +1 more source

From Empire to Republic: Western Art Music, Nationalism, and the Merging Mediation of Saygun’s Op.26 Yunus Emre Oratorio

open access: yes, 2017
This dissertation focuses on Western art music during the second half of the 19th century Ottoman Empire and the first half of 20th century in Republic of Turkey in the construction of a national identity, and how it had been used as a part of cultural ...
Karadagli, Ozgecan
core   +1 more source

LOOKING BACH AND BUFFARDIN’S ISTANBUL MEETING FROM A TURKISH MUSIC HISTORICAL PERSPECTIVE

open access: yesZeitschrift für die Welt der Türken, 2010
Beginning with 16. century, Ottoman Empire began to encounter and get acquinted with Western music either through the Consulates that came to Ottoman lands from Europe or through their Consulates that they sent to different European Countries, or through
Evren KUTLAY BAYDAR
doaj  

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