The recording career of Vasílis Tsitsánis (1936-1983) An analysis of his music and the problems of research into Greek popular music [PDF]
There is a clear and abundant evidence to suggest that Vasílis Tsitsánis (1915-1984) was a well known songwriter, bouzouki virtuoso, lyricist and singer both in Greece and abroad.
Ordoulidis, Nikolaos
core
Traces of the Ottoman musical tradition in early 20th-century Western-style Turkish art music [PDF]
The Turkish Five (Türk Beşleri) is a name given to a group of composers whose works set out the direction for modern Western-style Turkish art music. After the proclamation of the Republic of Turkey in 1923, the new generation of musicians trained in ...
Pawlina, Agata
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THE TRAFFIC IN REPAIRMEN AND A CASE OF GENDER IMPROPRIETY IN POST‐WAR SARAJEVO
ABSTRACT In postwar Sarajevo, repair is mainly a masculine activity, and people lean on communal networks to get things fixed under dire economic circumstances. Yet increased numbers of women without men in their households as an effect of the war necessitate the mediation of other women in facilitating access to men's labor.
HALİDE VELİOĞLU
wiley +1 more source
A SUBCULTURE MUSICAL COFFEE HOUSE IN THE ENTERTAINMENT LIFE OF OTTOMAN: AMANE COFFEE HOUSES/ OSMANLI EĞLENCE HAYATINDA BİR ALT KÜLTÜR MÜZİKLİ KAHVEHÂNE: AMANE KAHVEHÂNELERİ [PDF]
There were some places in the entertainment life of Ottoman addressing to various cultural levels and nearly all of them were musical in nature. Coffee houses as one of these places differ from the other musical entertainment places because of the fact
Mehtap Demir
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National Colonialism: Nation‐State, Colonialism and Colonisation of Kurdistan
ABSTRACT This article develops the concept of ‘national colonialism’ to capture colonial relations in the nation‐state form. It does so through a critical appraisal of the concept of ‘internal colonialism’, which largely fails to explain the links between nationalism and colonial relations.
Behnam Amini
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THE EFFECT OF EUROPEAN CULTURE ON OTTOMAN ART MUSIC
During the many years I was taught the Ottoman Art Music system, I came to know that the original way of playing had been seriously affected by influences which came from the European idea of music theory. When I came to prepare the book which formed the
Dr. Alan Wenham-Prosser DProf., MA. (8335401) +1 more
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The Cairo Takiyya Mawlawiyya (1033H/ 1623AD): Spirit of the Arts and Sufi Inscriptions
The Takiyya Mawlawiyya in Cairo is a unique example of architecture in form, design and function, and the complete model of the takiyya, which was created specifically for the ceremonial Mawlawi Derwishes rituals, as well as the rest of the architectural
Radwa Zaki
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ABSTRACT This study examines how an inclusive public sphere was constructed at Erenler, a literary coffeehouse in 1980s Istanbul, amid Turkey's post‐coup authoritarian climate and deepening ideological fragmentation. In the aftermath of the military coup, a period marked by traumatic depoliticization and the suppression of public sphere, Erenler ...
Ahmet Uysal +2 more
wiley +1 more source
This dissertation focuses on Western art music during the second half of the 19th century Ottoman Empire and the first half of 20th century in Republic of Turkey in the construction of a national identity, and how it had been used as a part of cultural ...
Karadagli, Ozgecan
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LOOKING BACH AND BUFFARDIN’S ISTANBUL MEETING FROM A TURKISH MUSIC HISTORICAL PERSPECTIVE
Beginning with 16. century, Ottoman Empire began to encounter and get acquinted with Western music either through the Consulates that came to Ottoman lands from Europe or through their Consulates that they sent to different European Countries, or through
Evren KUTLAY BAYDAR
doaj

