Results 41 to 50 of about 419,584 (244)

O diálogo imagem-palavra na arte do século XX: as colagens cubistas de Pablo Picasso e sua relação intertextual com os caligramas de Guillaume Apollinaire

Aletria: Revista de Estudos de Literatura, 2006
Este estudo pretende discutir a relação entre palavra e imagem, aproximando artes plásticas e literatura, abordando o diálogo e as relações intertextuais no processo escritural nas artes no início do século XX.
Maria do Carmo Freitas Veneroso
doaj   +1 more source

La tauromaquia en la obra de Pablo Picasso: iconografía y simbología

(pensamiento), (palabra)... Y obra
La relación entre la obra picassiana y la tauromaquia es incuestionable y constante a lo largo de toda la carrera de este artista universal. Este artículo es un estudio de la obra de Pablo Picasso a través de los elementos que componen la corrida, las ...
Violeta Izquierrdo Expósito
semanticscholar   +1 more source

Pablo Picasso and Gertrude Stein. Correspondence

European Journal of Life Writing, 2020
Fragmentation, dissection, explosion: how to characterize the most influentially innovative art—be it theatre, music, literature or painting—of the twentieth century’s first half depends on which artistic formation one has in view and how violent or ...
Charles Reeve
doaj   +1 more source

The Principles of the Collection [PDF]

, 2008
An analysis of the private collection of the artist, Pablo Picasso, and its influence upon his own ...
Butler, Rex
core  

Poetry into painting: Mallarmé, Picasso, and punning [PDF]

, 2013
This article gives a critical assessment of the relationship between the poetry of Stéphane Mallarmé and the Cubist painting and collage of Pablo Picasso.
Shingler, Katherine
core   +2 more sources

ANALYSIS OF FEMALE PORTRAITS FROM DIFFERENT PAINTING STYLES BY PABLO PICASSO IN LIGHT OF COGNITIVE THEORY OF AESTHETIC DECISION-MAKING

Facta Universitatis Series Visual Arts and Music
The issue of this study was to examine whether aesthetic evaluations of female portraits from various painting periods in Pablo Picasso's oeuvre differ in terms of dimensions: harmony (H), ornamentation (R), and distance (D).
Milica Đorđević
semanticscholar   +1 more source

Artificial Creativity and Human Fragility

Modern Theology, EarlyView.
Abstract This article critiques the widespread assumption that generative AI systems exhibit genuine artistic creativity. While such systems can produce novel and aesthetically appealing outputs, assessments based solely on results obscure fundamental differences between human and artificial agents.
Johanna Merz
wiley   +1 more source

Beyond Bandung and Belgrade: Damodar Dharmananda Kosambi, A Forgotten Indian Voice for World Peace

Peace &Change, EarlyView.
ABSTRACT Dr. Damodar Dharmananda Kosambi (1907–1966) was an Indian polymath best known for his intellectual contributions in a dizzyingly wide range of fields: mathematics, statistics, genetics, numismatics, history, and literature. His enduring reputation seems to have been posthumously sealed as the father of Marxist historiography in India. What has
Suchintan Das
wiley   +1 more source

El Picasso coruñés como inicio inexcusable y referencia de su proyecto revolucionario (1891-1895) [PDF]

, 2013
Análisis de uno de los períodos más desconocidos de Pablo Picasso, el que vivió en A Coruña cuatro años (1891-1895), siendo todavía adolescente y que los expertos consideran clave en el desarrollo de su proyecto.
Castro, Antón
core  

The Politics of Abstract Art. Forma 1 and the Italian Communist Party [PDF]

, 2012
Este artículo examina el papel del grupo de artistas abstractos Forma 1 en relación con la política cultural del Partido Comunista Italiano durante la posguerra, como ejemplo de los intentos de superar la dicotomía establecida en Italia entre arte ...
Lorcerie, Françoise, Lorcerie, Françoise   +1 more
core   +1 more source