Results 11 to 20 of about 2,811 (68)

Singa dalam kesenian Hindu di Jawa Tengah [PDF]

open access: yes, 1980
Di Jawa Tengah banyak peninggalan-peninggalan arkeologi baik yang berupa bangunan, arca maupun artefak yang lain. artefak-artefak tersebut dibuat oleh masyarakat pendukungnya untuk memenuhi kebutuhan hidupnya berupa kebutuhan rohani atau kebutuhan ...
Haryono, Timbul
core   +1 more source

“Kotak Emas”, Pahatan Relung Pada Dinding Tebing Lae Tungtung Batu di Dairi, Sumatera Utara [PDF]

open access: yesBerkala Arkeologi Sangkhakala, 2018
AbstractNiches at the walls of edge of Lae (river) Tungtung Batu have been known by the local people as “the golden box”. The naming, without sufficient scientific proofs, refers to its profane function as storage of valuable items. The question is: is the object of a profane or sacred function?
openaire   +2 more sources

PENINGKATAN KUALITAS UKM SENI PAHAT MELALUI INOVASI PRODUK DAN PENGGUNAAN PENGAWET KAYU ALAMI

open access: yesAbdimas: Jurnal Pengabdian Masyarakat Universitas Merdeka Malang, 2019
Masyarakat Bakalankrajan khususnya warga RW 02 merupakan masyarakat yang sangat kreatif hal ini ditunjukkan dengan adanya produk unggulan pada masing-masing RT. UKM seni pahat berdomisili di RT 07 mempunyai keunggulan seni pahat kayu, dimana cara memahat
Siswi Astuti   +2 more
doaj   +1 more source

Arca Visnu Cibuaya II dalam perbandingan [PDF]

open access: yes, 1981
Untuk mempelajari bentuk-bentuk-arca, dalam hal ini arca-arca dewa, harus diperhatikan apa yang mendasari pembuatan area tersebut. Perwujudan dewa ke dalam bentuk arca disebabkan oleh adanya dorongan untuk mengkonkritkan bentuk dewa-dewa tersebut yang ...
Selarti, Selarti
core   +2 more sources

HIASAN KEPALA KALA DI PURA BALE AGUNG DESA SUKAWANA, KINATAMANI, BANGLI

open access: yesForum Arkeologi, 2020
The forms of kala head ornaments at the upper plith (tugeh) of Bale Agung Sukawana Temple, Kintamani, Bangli resembles to the motive of karang bhoma which generally placed at the upper side of door frame or candi kurung’s niche.
I Wayan Badra
doaj   +1 more source

Exploring Yeh Pulu Relief (An Iconography Approach)

open access: yesMudra: Jurnal Seni Budaya, 2017
Yeh Pulu relief, located in Bedulu Village, Gianyar Regency, is one of the important Balinese visual art work. It serves as a proof of the ultimate artistic achievement in the ancient Balinese kingdom era.
I Wayan Kun Adnyana   +3 more
doaj   +1 more source

Digitalizing Sculptures: A Photogrammetry Implementation Towards Ancient Mataram Statuaries in Central Java, Indonesia | Digitalisasi Arca: Implementasi Fotogrametri Terhadap Patung-patung Mataram Kuno di Jawa Tengah, Indonesia

open access: yesSPAFA Journal, 2023
The implementation of digital technology in cultural heritage in Indonesia started to develop in the past decade. However, Indonesia's iconography studies have not optimized to utilize these advanced approaches.
Atina Winaya   +13 more
doaj   +2 more sources

RELIEF NAGA DI PURA SUBAK WASAN, DESA BATUAN KALER, KECAMATAN SUKAWATI, KABUPATEN GIANYAR

open access: yesForum Arkeologi, 2017
Dragon is used as religious symbols in many parts of the world. In Hindu teaching, dragon as a symbol of gods embodied in many forms. Dragon relief is found at Subak Wasan Temple in Gianyar, Bali which is now placed on piyasan building.
I Wayan Badra
doaj   +1 more source

Pendokumentasian Aplikasi Ragam Hias Budaya Bali, sebagai Upaya Konservasi Budaya Bangsa Khususnya pada Perancangan Interior [PDF]

open access: yes, 2014
Various ornament of Indonesian people comes from the ethnic groups from all over the archipelago. As a tangible cultural ornament has a specific purpose and it does not change throughout the ages.
Ashley N Luck   +2 more
core   +4 more sources

JENIS-JENIS KEJAHATAN BERDASARKAN NASKAH DAN RELIEF PADA MASA JAWA KUNA

open access: yesForum Arkeologi, 2018
Crime has been going along with the civilization of mankind, with different variations and forms, ranging from petty crimes to the level of serious crime.
T.M. Hari Lelono
doaj   +1 more source

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