Results 241 to 250 of about 163,127 (294)
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Proceedings of the 20th annual conference on Computer graphics and interactive techniques, 1993
We present a new approach to lighting design for image synthesis. It is based on the inverse problem of determining light settings for an environment from a description of the desired solution. The method is useful for determining light intensities to achieve a desired effect in a computer simulation and can be used in conjunction with any rendering ...
Chris Schoeneman +4 more
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We present a new approach to lighting design for image synthesis. It is based on the inverse problem of determining light settings for an environment from a description of the desired solution. The method is useful for determining light intensities to achieve a desired effect in a computer simulation and can be used in conjunction with any rendering ...
Chris Schoeneman +4 more
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1989
The standardization institutes of several countries have published definitions of the terms used in the field of paints and varnishes. Unavoidably, they differ slightly in the different languages, because similar terms do not always have the same meaning.
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The standardization institutes of several countries have published definitions of the terms used in the field of paints and varnishes. Unavoidably, they differ slightly in the different languages, because similar terms do not always have the same meaning.
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IEEE Computer Graphics and Applications, 1985
The paint interface: Is it a vehicle to easy electronic art or an obstacle to creative involvement with computer graphics?
Copper Giloth, Jane Veeder
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The paint interface: Is it a vehicle to easy electronic art or an obstacle to creative involvement with computer graphics?
Copper Giloth, Jane Veeder
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2019
This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task
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This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task
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2004
PAINTING ON WALLS AND PANELS The Greeks, like us, thought of painting primarily in terms of paintings on walls and panels. Large paintings on flat surfaces were often used to decorate architecture; metopes, for instance, would sometimes be painted rather than carved in relief. Figure 57 shows a 7th-century bc example.
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PAINTING ON WALLS AND PANELS The Greeks, like us, thought of painting primarily in terms of paintings on walls and panels. Large paintings on flat surfaces were often used to decorate architecture; metopes, for instance, would sometimes be painted rather than carved in relief. Figure 57 shows a 7th-century bc example.
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This is not a painting: Scanning and printing a painting’s appearance
2019The appearance of a painting cannot solely be described by the depiction that it presents to the viewer. When viewing the artifact in real life, we find that the painted surface is in effect a three-dimensional landscape of paint. Paintings, “moveable, largely two-dimensional images created for the primary purpose of providing a visual experience”,1 ...
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ACM SIGGRAPH 2002 conference abstracts and applications, 2002
This sketch presents fractal art work created by ray tracing the specular highlights of point lights on the inside surface of a hollow sphere. The sphere has a mirror surface on the inside that contributes no colour to the images, but there is spread in the local specular reflection.
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This sketch presents fractal art work created by ray tracing the specular highlights of point lights on the inside surface of a hollow sphere. The sphere has a mirror surface on the inside that contributes no colour to the images, but there is spread in the local specular reflection.
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Paint particles in the marine environment: An overlooked component of microplastics
Water Research X, 2021exaly