Results 251 to 260 of about 860,520 (309)
Stochastic health risk profiling of potentially toxic elements in Iranian ornamental construction paints: assessing and Monte Carlo simulation. [PDF]
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Advanced Materials, 2019
AbstractFor a hydrogel coating on a substrate to be stable, covalent bonds polymerize monomer units into polymer chains, crosslink the polymer chains into a polymer network, and interlink the polymer network to the substrate. The three processes—polymerization, crosslinking, and interlinking—usually concur.
Xi Yao, Junjie Liu, Xuxu Yang
exaly +3 more sources
AbstractFor a hydrogel coating on a substrate to be stable, covalent bonds polymerize monomer units into polymer chains, crosslink the polymer chains into a polymer network, and interlink the polymer network to the substrate. The three processes—polymerization, crosslinking, and interlinking—usually concur.
Xi Yao, Junjie Liu, Xuxu Yang
exaly +3 more sources
Archives of Dermatology, 1979
To the Editor.— Drs Leyden and Kligman did not mention in their outstanding article in the OctoberArchives(114:1466-1472, 1978) the time-honored use of Castellani's paint for interdigital athlete's foot. It is antimacerative, antibacterial, and perhaps, to a lesser degree, antimycotic.
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To the Editor.— Drs Leyden and Kligman did not mention in their outstanding article in the OctoberArchives(114:1466-1472, 1978) the time-honored use of Castellani's paint for interdigital athlete's foot. It is antimacerative, antibacterial, and perhaps, to a lesser degree, antimycotic.
openaire +2 more sources
2019
This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task
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This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task
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Journal of Affective Disorders, 2011
Bipolar mood disorder (manic-depressive illness) has many artistic references, especially in the painting domain, depicting moods and associated features. The title of some paintings directly refers to the psychopathological state of the disorder. There are a great number of painting masterpieces showing the depressive pole of manic-depressive illness.
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Bipolar mood disorder (manic-depressive illness) has many artistic references, especially in the painting domain, depicting moods and associated features. The title of some paintings directly refers to the psychopathological state of the disorder. There are a great number of painting masterpieces showing the depressive pole of manic-depressive illness.
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History Painting/Painting History
Art History, 1999Books reviewed in this article:Christopher Prendergast, Napoleon and History Painting: Antoine‐Jean Gros’s, La Bataille d’EylauBeth S. Wright, Painting and History during the French Restoration: Abandoned by the PastSteven Bann, Paul Delaroche: History PaintedMarc J.
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Science, 1959
Discovery of hematite and kaolinite in excavations of late paleolithic occupation sites at Les Eyzies (Dordogne), France, raises anew the question of the nature of the paint used by paleolithic people. Hematite as a pigment source is widely documented, but the presence of kaolinite imported into prehistoric sites poses problems.
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Discovery of hematite and kaolinite in excavations of late paleolithic occupation sites at Les Eyzies (Dordogne), France, raises anew the question of the nature of the paint used by paleolithic people. Hematite as a pigment source is widely documented, but the presence of kaolinite imported into prehistoric sites poses problems.
openaire +2 more sources