Results 101 to 110 of about 864,937 (238)
Painting (in) the imperative form: an exploration of instruction painting
Aesthetic Investigations, 2017 Through my role as artist-curator I hope to have presented a public contemplation of how a painting might perform and instruct, to test the relationship between conceptual and painting practice, and collectively ask: what is imperative to painting?
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The Role of Entrepreneurial Strategies in Overcoming Economic Challenges in Regional Markets
Zeszyty Naukowe Wyższej Szkoły Finansów i Prawa w Bielsku-BiałejThis research examines the role of entrepreneurial strategies in overcoming economic challenges across ten countries: the USA, Kazakhstan, UK, India, China, Poland, Brazil, Kenya, Saudi Arabia, and Turkey, during the period 2019–2023.
Andrey Chshelokovskiy
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A Handbook of Greek Vase-Painting
, 1920 Stephen B. Luce, Mary A. B. Herford
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Principles of New Urbanism: The image of the future
Проект БайкалThe New Urbanism model, an alternative to the Corbusian city model, emerged in the 1980s. It rethinks the formal and image-symbolic structure of the historical European city and tries to solve modern problems: social, ecological, economic and aesthetic.
Лариса Копылова
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Shedding New Light on a Pennsylvania Painter: Finding R. Fibich and His Graveyard
, 2012 The painting that would become known as the “York Springs Graveyard” (see cover illustration) was sold to Connecticut folk-art collectors Jean and Howard Lipman in about 1939 by Joe Kindig, an antiques dealer from York, PA.
Pyle, Judith S.
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Report on Paints, Paint Materials and Varnishes [PDF]
Journal of AOAC INTERNATIONAL, 1932 C S Ladd, Floyd Roberts
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The opinion of St. Theophan, the Recluse, on Belokrinitskaya and Coreligionists Hierarchy
Studia Humanitatis, 2017 The article analyses the views of St. Theophan, the Recluse (1815-1894), the famous theologian and spiritual writer of the 19th century, on the Belokrinitskaya Hierarchy, which stemmed in 1846 from the Metropolitan Ambrose (Georgiopoli). St.
Kashirina Varvara Viktorovna
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