Results 211 to 220 of about 51,016 (267)
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Proceedings of the 20th annual conference on Computer graphics and interactive techniques, 1993
We present a new approach to lighting design for image synthesis. It is based on the inverse problem of determining light settings for an environment from a description of the desired solution. The method is useful for determining light intensities to achieve a desired effect in a computer simulation and can be used in conjunction with any rendering ...
Chris Schoeneman +4 more
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We present a new approach to lighting design for image synthesis. It is based on the inverse problem of determining light settings for an environment from a description of the desired solution. The method is useful for determining light intensities to achieve a desired effect in a computer simulation and can be used in conjunction with any rendering ...
Chris Schoeneman +4 more
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Transactions of the IMF, 1968
Aircraft paint coatings are subjected to intense deteriorating influences arising out of the operational environment; these are in part mechanical and in part chemical.
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Aircraft paint coatings are subjected to intense deteriorating influences arising out of the operational environment; these are in part mechanical and in part chemical.
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IEEE Computer Graphics and Applications, 1985
The paint interface: Is it a vehicle to easy electronic art or an obstacle to creative involvement with computer graphics?
Copper Giloth, Jane Veeder
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The paint interface: Is it a vehicle to easy electronic art or an obstacle to creative involvement with computer graphics?
Copper Giloth, Jane Veeder
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Proceedings of the Joint Symposium on Computational Aesthetics and Sketch-Based Interfaces and Modeling and Non-Photorealistic Animation and Rendering, 2018
We present a framework for automatically creating a type of artwork in which 2D and 3D contents are mixed within the same composition. These artworks create plausible effects for the viewers by showing a different relationship between 2D and 3D at each viewing angle.
Sami Arpa +2 more
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We present a framework for automatically creating a type of artwork in which 2D and 3D contents are mixed within the same composition. These artworks create plausible effects for the viewers by showing a different relationship between 2D and 3D at each viewing angle.
Sami Arpa +2 more
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2004
PAINTING ON WALLS AND PANELS The Greeks, like us, thought of painting primarily in terms of paintings on walls and panels. Large paintings on flat surfaces were often used to decorate architecture; metopes, for instance, would sometimes be painted rather than carved in relief. Figure 57 shows a 7th-century bc example.
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PAINTING ON WALLS AND PANELS The Greeks, like us, thought of painting primarily in terms of paintings on walls and panels. Large paintings on flat surfaces were often used to decorate architecture; metopes, for instance, would sometimes be painted rather than carved in relief. Figure 57 shows a 7th-century bc example.
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1989
The standardization institutes of several countries have published definitions of the terms used in the field of paints and varnishes. Unavoidably, they differ slightly in the different languages, because similar terms do not always have the same meaning.
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The standardization institutes of several countries have published definitions of the terms used in the field of paints and varnishes. Unavoidably, they differ slightly in the different languages, because similar terms do not always have the same meaning.
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2019
This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task
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This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task
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This is not a painting: Scanning and printing a painting’s appearance
2019The appearance of a painting cannot solely be described by the depiction that it presents to the viewer. When viewing the artifact in real life, we find that the painted surface is in effect a three-dimensional landscape of paint. Paintings, “moveable, largely two-dimensional images created for the primary purpose of providing a visual experience”,1 ...
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Finger Painting to Digital Painting
2008Like Kindergarten, the first grade classroom is a welcoming site with small tables and chairs for the equally small children who are typical first graders. For children who did not attend Kindergarten, for whatever reason , first grade is when they learn about schooling and the rules that go along with being in school. It is a time to explore ideas, be
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