img journal, 2019 "Didactic iconology” is the study of images finalised to educating or, strictly speaking, to education. It is connected to the pedagogy of the media, to children’s literature, to psychology, to the history of illustration.
Roberto Farné
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A Critique on the Book Studies on Iconology, Humanistic Themes in the Art of Renaissance by Erwin Panofsky [PDF]
پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی, 2021 Studies in Iconology, Humanistic Themes in the Art of the Renaissance by Erwin Panofsky clarifies the function of the Iconology method in interpreting artworks.
Atefeh Amiri, Zeinab Saber, Nahid Abdi
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A Critique of the Book “Image and Word: Approaches to Iconology” [PDF]
پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی, 2020 The present article is a critique of the book “Image and Word: Approaches to Iconology”. The importance of introducing and reviewing this work is studying Erwin Panovsky’s views on image, iconography, and iconology, as well as the presentation of ...
Leila Ghaffari, Jamal Arabzadeh
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Revisioning Stalinist discourse of art: Mikhail Liebman’s academic networks and his social art history [PDF]
Journal of Art Historiography, 2022 The article addresses the art historian and leading Renaissance scholar Mikhail Liebman’s 1960s and 1970s texts, which present his understandings of the discourse and methodology of art history.
Krista Kodres
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Women Victomology and Effective Ways [PDF]
فقه و حقوق خانواده, 2009 Women's fundamental role in society can not be ignored. Women are the better half of the nation and about half of mankind includes woman. Their role in establishing the institution of family life, building home, raising the children, making an ideal ...
Homa Davoodi
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Decoding of Image of the Prophet’s(pbuh) Ascent Depicted in Falnameh Tahmasbi through Applying Erwin Panofsky’s Approach [PDF]
پیکره, 2016 The image of the Islam Prophet’s(pbuh) Ascent depicted in Falnameh Tah-masbi in Saavid era represents a Shia version of the holy event symbolically.
Zahra Shaghlanipour +1 more
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Représenter la flaua bilis: le portait du colérique dans l’Iconologia de Cesare Ripa
Studia Ceranea, 2022 Representing the flaua bilis: the Portrait of the Choleric in Cesare Ripa’s Iconology. The theory of the four humours (blood, phlegm, yellow bile and black bile) forms the basis of ancient medicine.
Magdalena Koźluk
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Smelling Disease and Death in the Antwerp Church of Our Lady, c. 1450-1559
Early Modern Low Countries, 2021 Early modern societies were pervaded by smells and odours, but few traces have survived that offer a glimpse of the olfactory experience. This essay reconstructs this lost early modern ‘smellscape’, focusing on the smell of disease and death in the late
Wendy Wauters
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Uomo interrogante — “The Questioner”: About Some Iconological Features of the Interpretation of Gospel in Renaissance Painting [PDF]
Достоевский и мировая культура: Филологический журнал, 2022 The article analyses several Italian Renaissance works of art on Gospel themes that show a new type of character, “The Questioner” (Uomo interrogante), who through the interpretation of the Gospel by means of painting turns from an episodic character ...
Natalia F. Borovskaya
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Iconographie politique de la bataille de Gênes
Laboratoire Italien, 2023 Luciano Del Castillo is a press photographer, who took a large series of pictures of the demonstrations organised on 20 and 21 July 2001 against the G8 Summit in Genoa. His image of a hooded man on an overturned car was published on the front page of the
Maxime Boidy +2 more
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