Results 41 to 50 of about 374 (165)
Avbildade tecken & avbildningar som tecken. Ikonologins och semiotikens delade skäl
ICO Iconographisk Post, 2016 Title in English: Depicted Signs and Depictions as Signs – Common Reasons for Iconology and Semiotics. – The aim of this article is to describe some common reasons and origins of modern Iconology and Semiotics, and to question the dichotomy which is ...
Fred Andersson
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Recycled Images as Layers of Meaning in Picture Books
Interfaces, 2019 Kress and van Leeuwen showed that the visual could be considered as a semiotic mode, and developed a systemic-functional model of visual meaning. Drawing on Painter’s, Martin’s and Unsworth’s adaptation of their model to picture books, and on Panofsky ...
Isabelle Gras
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English LiteratureThis paper explores Ruskin's lifelong concern with the nature and significance of visual images. It argues that the diverse modes and moments of his engagement with vthem may be read as variant expressions of a progressively constituted iconology ...
Tucker, Paul
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Drawing the Invisible: Visual Reflections on War and Reconciliation in Ukraine
Наукові записки Наукма: Історія і теорія культуриThis article examines the role of visual art in addressing the layered experiences of Russia’s war on Ukraine’s social and emotional fabric, exploring its potential to facilitate the re-establishment of a new, commonly acceptable social agreement.
Olesia Herashchenko
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European Journal of Pragmatism and American Philosophy, 2012 “[I]t is the belief men betray, and not that which they parade which has to be studied.” This short Peircean sentence has been the subject of important yet underrated attention in the reception of Peirce’s philosophy, passing through the art historians Edgar Wind and Erwin Panofsky and arriving finally at Bourdieu.
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Analyzing the Visual and Conceptual Patterns of the Ibex Motif on the Pottery of Tall-I Bakun of Fars, Iran (5th and 4th Millennia BC) using the Iconology Approach of Erwin Panofsky [PDF]
Cercetări ArheologiceThe art of ancient Iran, replete with pictorial elements, encapsulates themes and concepts that have intrigued scholars since the earliest encounters with imagery. These elements, especially prevalent in pottery designs, offer a window into the cognitive
Sasan Samanian +2 more
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, 2022 Writing of 13 entries for the Didi-Huberman dictionary (Art History - Atlas - Detail - Dissemblance - Dynamogram - Farocki - Freud - Iconology - Migration - Pathos - Phantom - Survival - Warburg). "The Didi-Huberman Dictionary" is a specialised introduction to the thought of contemporary French philosopher Georges Didi-Huberman, best known for his path-
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Notes on photographic depictions of the portraits of Ancient philosophers [PDF]
SCHOLE, 2015 The article outlines the research in the area that has just started to take shape nowadays, namely the study of visual images of ancient philosophers, and identifies the ways in which we can clarify the role played by images of ancient philosophers ...
Savchuk, Valeriy
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Wandering towards Bruno: synderesis and “synthetic intuition”
Aisthesis, 2015 Focusing on the faculty of intuition, my essay considers different ways that Aby Warburg (1866-1929) and Erwin Panofsky (1892-1968) interpret the late Renaissance cosmographer, Giordano Bruno. It argues that Warburg, in the last year of his life and with
Christopher D. Johnson
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Analysis of the visual and conceptual patterns of Azadeh's death in Ancient Persia, Sassanid and Seljuk period based on Panofsky`s Iconology approach [PDF]
نگره, 2018 Bahram V or Bahram Gur is a well-known just Sassanid king. Bahram same as Vərəθraγna is the great warrior god of Zoroastrianism, but his figure also contains a wealth of archaic, pre-Zoroastrian elements which clearly point to an Indo-Iranian era. Bahram
Soheila Namazalizadeh +1 more
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