A Comparative Study of Tree Imagery in David Jones’s Paintings and Poems in the Light of Panofsky’s Iconology [PDF]
مطالعات بینرشتهای ادبیات، هنر و علوم انسانیDavid Jones, the British modern poet-painter, has exploited the elements of nature, particularly the motif of the tree, in both his verbal and visual language.
Houra Adel +3 more
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Iconological interpretation of "Bahram Gur and Azadeh in the hunt" in the three Shahnameh of the Injuids dynasty (725- 758 hejira), based on Panofsky's approach [PDF]
نگره, 2017 In the first half of the eighth century AH, in three illustrated Shahnamehs of Shiraz from the Injuid time, we are faced with a particular representation of "Bahram the Gur and Azadeh in the hunting ground" which is different from the Seljuk "comma ...
Masoumeh Abachi, Asghar Fahimifar
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An Iconological Approach to Study of Female Motifs in Themes of Graffiti in Saqanefar of Kijatekiyeh, Babol [PDF]
زن در فرهنگ و هنرSaqanefars are structures from the Qajar period that are derived from the indigenous and ritual architecture of Mazandaran. In contrast to comparable structures, Saqanfar Kijatekiyeh in Babol is characterized by a plethora of pictorial themes that are ...
samareh rezaei, atieh Youzbashi
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Arts, 2023 In the Illustrations in Roll and Codex (1947), Kurt Weitzmann developed a methodological apparatus for studying Byzantine and medieval narrative book illumination.
Gyöngyvér Horváth
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The Iconology of Woman’s Position in the Painting of Adam and Eve’s Expulsion from Paradise in Tahmasbi’s Falnama (962-967 AH) from the Point of View of Ervin Panofsky (1892-1968 AD) [PDF]
زن در فرهنگ و هنرShah Tahmasb Safavi pursued extremism during the latter portion of his reign. In this regard, women stayed at home. On the directive of Tahmasb, Tahmasabi composed his Falnama (962-967AH).
الهه Panjehbashi, motahareh seifi
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W.J. Thomas Mitchell, Picture Theory : Essays on verbal and Visual Representation [PDF]
, 1996 W. J.
Klucinskas, Jean
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Critical Inquiry, 2012 Erwin Panofsky explicitly states that the first half of the opening chapter of Studies in Iconology— his landmark American publication of 1939 — contains ‘the revised content of a methodological article published by the writer in 1932’, which is now translated for the first time in this issue of Critical Inquiry.1 That article, published in the ...
Elsner, J, Lorenz, K
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Usos impropios de los términos 'Iconografía' e 'iconología' [PDF]
, 2012 A reflection on the meaning of the terms «iconography» and «iconology», as defined by the fields of Art History and Archeology, in a strict sense, as disciplines concerned with the description and interpretation of images, respectively.
García Mahíques, Rafael
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New light on sweetness: a brief review of Joseph Imorde’s book on Carlo Dolci [PDF]
Journal of Art Historiography, 2018 A brief review of Joseph Imorde, Carlo Dolci: A Refreshment, Studies in Iconology 8, Leuven-Paris-Bristol, CT: Peeters 2017.
Richard Woodfield
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Les sarcophages romains : problèmes et certitudes
Perspective, 2006 Historiated sarcophagi form a numerically significant and artistically rich body of work in Roman art. Sarcophagi have long been studied by researchers, and in recent decades they have given rise to a profound renewal of knowledge, through inventories ...
François Baratte
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