Results 11 to 20 of about 2,828 (201)

Iconology

, 2022
Writing of 13 entries for the Didi-Huberman dictionary (Art History - Atlas - Detail - Dissemblance - Dynamogram - Farocki - Freud - Iconology - Migration - Pathos - Phantom - Survival - Warburg). "The Didi-Huberman Dictionary" is a specialised introduction to the thought of contemporary French philosopher Georges Didi-Huberman, best known for his path-
Hagelstein, Maud
openaire   +2 more sources

From Icon-painting to Eikonika (A Critical Analysis of the Science of Orthodox Iconology) [PDF]

Вестник Православного Свято-Тихоновского гуманитарного университета: Серия I. Богословие, философия, 2012
This article analyses the meaning ofvarious terms: eikonika, iconology, iconography, the philosophy of the icon, the theology of the icon, as well as the terms ierotopia and ierotopika.
Ivan Davydov
doaj   +1 more source

NATURAL HISTORIES FOR THE ANTHROPOCENE: KOSELLECK'S THEORIES AND THE POSSIBILITY OF A HISTORY OF LIFETIMES

History and Theory, Volume 61, Issue 3, Page 391-425, September 2022., 2022
ABSTRACT In this article, I offer a rereading of Reinhart Koselleck that puts his work at the center of ongoing debates about how to write histories that can account for humanity's changed and changing relationship to our natural environment—or, in geological terms, to our planet.
HELGE JORDHEIM
wiley   +1 more source

Crossing the Line: Cristóbal de Villalpando and the Surplus of Script

Art History, Volume 45, Issue 2, Page 308-341, April 2022., 2022
In 1706 Cristóbal de Villalpando signed a painting with an unusual, intensive calligraphic flourish, and sent it from Mexico City far to the north. This essay describes Villalpando's decision to invest so much pictorial energy in letterforms against this geographic backdrop.
Aaron M. Hyman
wiley   +1 more source

Origins and genesis of Marxist iconology [PDF]

, 2023
The aim of this dissertation is to describe the basic assumptions, genesis and main characteristics of Marxist iconology, which emerged as a distinctive interpretative approach in the environment of Czech art history in the early 1960s.
Johanidesová, Tereza
core   +1 more source

Représenter la flaua bilis: le portait du colérique dans l’Iconologia de Cesare Ripa

Studia Ceranea, 2022
Representing the flaua bilis: the Portrait of the Choleric in Cesare Ripa’s Iconology. The theory of the four humours (blood, phlegm, yellow bile and black bile) forms the basis of ancient medicine.
Magdalena Koźluk
doaj   +1 more source

Design of Knitted Garment Design Model Based on Mathematical Image Theory

Journal of Sensors, Volume 2022, Issue 1, 2022., 2022
Iconology is an approach used by Western art theorists and art history researchers to explain plastic art and even relative to other various plastic art activities. This article is aimed at researching and discussing the design of knitted garment design model based on mathematical image theory.
Bojia Lu, Wen Zeng
wiley   +1 more source

Decoding of Image of the Prophet’s(pbuh) Ascent Depicted in Falnameh Tahmasbi through Applying Erwin Panofsky’s Approach [PDF]

پیکره, 2016
The image of the Islam Prophet’s(pbuh) Ascent depicted in Falnameh Tah-masbi in Saavid era represents a Shia version of the holy event symbolically.
Zahra Shaghlanipour, Khashayar Ghazizadeh   +1 more
doaj   +1 more source

RETRACTED: Image Composition and Semantic Expression of Traditional Folk Art Based on Evolutionary Computing Technology

Mobile Information Systems, Volume 2022, Issue 1, 2022., 2022
Image media are used by people to perceive the world’s material reality and spiritual symbols. Traditional folk art images, unlike natural scene images, are characterized by “form to write God.” Their semantic data are more abstract and detailed. As a result, folk art images limit the use of low‐level visual feature descriptors in natural images.
Suili Ma, Liping Zhang
wiley   +1 more source

‘Look on my works ye mighty…’: Iconoclasm, education and the fate of statues

Journal of Philosophy of Education, Volume 55, Issue 3, Page 534-544, June 2021., 2021
Abstract In pursuit of an alternative perspective on the so‐called ‘statues controversy’, this essay brings recent interpretations of the enduring ‘power’, ‘gaze’ and ‘magic’ of statues into alignment with critical histories of iconoclasm, sacred and secular, and New Materialist accounts of our multiple entanglements with the object histories of ...
Robert A. Davis
wiley   +1 more source