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Trivium, 2010 Figure majeure de l’histoire de l’art du xxe siècle, Erwin Panofsky (1892-1968) est l’un des fondateurs de l’iconologie. Né à Hanovre, il poursuit des études classiques au Joachimsthalschen Gymnasium, Berlin.
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Forma, „przedmiot dzieła”, Gestalt. Max Imdahl i Erwin Panofsky [PDF]
Biuletyn Historii Sztuki, 2023 Max Imdahl uważał, że w metodzie ikonologicznej Erwin Panofsky nie poświęcił należytej uwagi problematyce formy artystycznej. Panofsky faktycznie nie dostrzegał „ikonicznego” poziomu dzieła sztuki, ale starał się uzasadnić nierozdzielność formy i ...
Wojciech Bałus
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Via activa a via contemplativa vo vybraných interpretáciách renesančných diel Erwinom Panofskym
Acta Universitatis Carolinae Philosophica et Historica, 2020 The paper deals with the processing of the theme of active and contemplative life in three selected examples of Renaissance art, namely in Dürer’s engravings Knight, Death and the Devil and Saint Jerome in His Study and Titian’s painting Sacred and ...
Stanislava Kustrová
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Cassirer et Panofsky : un malentendu philosophique
Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics, 2020 Cassirer and Panofsky: A Philosophical Misunderstanding This paper argues that German art historian and iconologist Erwin Panofsky unintentionally misused the concept of "symbolic form" coined by his friend and colleague, philosopher Ernst Cassirer.
Rémi Mermet
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SPAFA Journal, 2023 Temple in North Bali. The relief was created around 1904, when North Bali was under Dutch colonial rule. It is the first relief created that deviates from Balinese society’s traditional art style.
I Dewa Alit Dwija Putra, Sarena Abdullah
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The Point of Vanishing: Pater’s Loss of Perspective
19, 2023 This article addresses the importance of perspective in the work of Walter Pater by putting his treatment of the topic in Plato and Platonism and The Renaissance in relation to its place in art history and to the work of some of Pater’s immediate ...
Jonah Siegel
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Espacio, Tiempo y Forma. Serie VII, Historia del Arte, 2001 Tras realizar un breve ensayo historiográfico sobre el lienzo de Ticiano, el presente trabajo analiza su iconografía, reivindicando la interpretación propuesta por Fritz Saxl y Erwin Panofsky.
Carlos Sastre Vázquez
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Revista do Instituto de Estudos Brasileiros, 2023 RESUMO A seção Criação tem por objetivo publicar textos e materiais inéditos de escritores e/ou artistas, fotógrafos, desenhistas, além de documentos inéditos encontrados no Arquivo do IEB/USP.
Ana Paula Pacheco
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Review of Galileo as a Critic of the Arts
Transversal: International Journal for the Historiography of Science, 2017 Review of new Edition of Panofsky, Erwin.
Hallhane Machado
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The art history and methodology of Millard Meiss and the question of his lukewarm reception in Italy [PDF]
Journal of Art Historiography, 2021 Review of: Jennifer Cooke, Millard Meiss, American Art History, and Conservation: From Connoisseurship to Iconology and Kulturgeschichte. This book review focuses on Jennifer Cooke’s careful and incisive analysis of the different methodological ...
Cathleen Hoeniger
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