Results 1 to 10 of about 723 (151)
Physics in turkey cooking: Revisit the Panofsky formula
AIP Advances, 2021 Back in 2008, Panofsky gave an empirical formula, T=11.5W2/3, for turkey baking time, T, in hours vs turkey weight, W, in pounds, the so-called Panofsky formula or Panofsky constant. Compared to the previously existed recipes that are based on the simple
Jian Wang
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Cassirer et Panofsky : un malentendu philosophique
Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics, 2020 Cassirer and Panofsky: A Philosophical Misunderstanding This paper argues that German art historian and iconologist Erwin Panofsky unintentionally misused the concept of "symbolic form" coined by his friend and colleague, philosopher Ernst Cassirer.
Rémi Mermet
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The Panofsky-Newman Controversy
Aisthesis, 2015 Starting from Erwin Panofsky’s well-known polemical exchange of letters with Barnett Newman, and taking into account some few hints to contemporary artists which can be found into the Princeton Professor’s private correspondence, this essay deals with ...
Pietro Conte
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A remeasurement of the Panofsky ratio
Physics Letters, Section B: Nuclear, Elementary Particle and High-Energy Physics, 1977 Abstract By stopping π − in a liquid hydrogen target, we have measured the Panofsky ratio to be P =1.546±0.009. The measurement was carried out by using a large 46 cm φ × 51 cm NaI crystal to detect the high energy photons from the π − p→ π o n and π − p→ γ n reactions.
J -M Poutissou, J K P Lee, M Salomon
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Max Imdahl and His ‘Ikonik’ / Макс Имдаль и его «Иконика»
Визуальная теология, 2021 Max Imdahl is situated on the border between the theory and practice of visual arts. His life is an experience of combining academic art history with cutting-edge art criticism.
Stepan Vaneyan / Степан Сережьевич Ванеян
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Decoding of Image of the Prophet’s(pbuh) Ascent Depicted in Falnameh Tahmasbi through Applying Erwin Panofsky’s Approach [PDF]
پیکره, 2016 The image of the Islam Prophet’s(pbuh) Ascent depicted in Falnameh Tah-masbi in Saavid era represents a Shia version of the holy event symbolically.
Zahra Shaghlanipour +1 more
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Via activa a via contemplativa vo vybraných interpretáciách renesančných diel Erwinom Panofskym
Acta Universitatis Carolinae Philosophica et Historica, 2020 The paper deals with the processing of the theme of active and contemplative life in three selected examples of Renaissance art, namely in Dürer’s engravings Knight, Death and the Devil and Saint Jerome in His Study and Titian’s painting Sacred and ...
Stanislava Kustrová
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Forma, „przedmiot dzieła”, Gestalt. Max Imdahl i Erwin Panofsky
Biuletyn Historii Sztuki, 2023 Max Imdahl uważał, że w metodzie ikonologicznej Erwin Panofsky nie poświęcił należytej uwagi problematyce formy artystycznej. Panofsky faktycznie nie dostrzegał „ikonicznego” poziomu dzieła sztuki, ale starał się uzasadnić nierozdzielność formy i ...
Wojciech Bałus
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What to do with the “Most Modern” Artworks? Erwin Panofsky and the Art History of Contemporary Art
Contemporaneity: Historical Presence in Visual Culture, 2014 In the 1930s, when the world-renowned Medieval and Renaissance art scholar Erwin Panofsky became acquainted with the New York contemporary art scene, he was challenged with the most difficult dilemma for art historians. How could Panofsky, who was firmly
Flora Lysen
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