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Erwin Panofsky (b. 1892–d. 1968) was a German art historian who, after immigrating to the United States in 1933, became one of the most influential figures in 20th-century art history. His method of reading works of art as historical documents and understanding their interpretation as intimately connected to the literary and philosophical currents of ...
openaire +3 more sources
Le concept de forme symbolique dans l’iconologie d’E. Panofsky
En étudiant l’art comme forme symbolique, Cassirer veut élucider la spécificité de l’activité de l’esprit propre à ce domaine. En qualifiant la perspective - c'est-à-dire un facteur du style - de forme symbolique, Panofsky déplace le concept et s’éloigne
Audrey Rieber
doaj +1 more source
La naissance de l'espace moderne: Merleau‐Ponty et Panofsky sur la perspective linéaire [PDF]
Nous nous proposons d’examiner et de comparer les analyses de Maurice Merleau-Ponty et d’Erwin Panofsky sur la question de la perspective linéaire. Merleau-Ponty, dans le sillage des analyses de Panofsky, soutient la thèse selon laquelle la perspective ...
Courville, Denis
core
On the accuracy of retrieved wind information from Doppler lidar observations [PDF]
A single pulsed Doppler lidar was successfully deployed to measure air flow and turbulence over the Malvern hills, Worcester, UK. The DERA Malvern lidar used was a CO2 µm pulsed Doppler lidar.
Browning +14 more
core +2 more sources
The Appreciation Game. A Monist Ontology of Works of Art
Abstract A pluralist ontology of art states that works of art can belong to distinct ontological categories whereas a monist ontology states that all works of art belong to one ontological category. A monist ontology would be preferable since it is more informative about the nature of art, and may pave the way for a definition of art.
Enrico Terrone
wiley +1 more source
Walter Benjamin: un melanconico allievo di Aby Warburg
Walter Benjamin tried to get in touch with Panofsky and the Warburg’s circle, but the attempt failed. This article examines the chapter on melancholy of Benjamin’s The Origin of the German Tragic Drama (1928) and his main sources, i. e.
Marco Bertozzi
doaj +5 more sources
Karamzin, Kant, and Lavater — Intersecting Biographies
In his “Letters of a Russian Traveller” Karamzin left a detailed account of his visit to I. Kant in Königsberg on June 18, 1789. Published in 1791, his report is important as the first printed mentioning of Kant in Russian.
Panofsky G.
doaj
ABSTRACT During the fifteenth and sixteenth centuries, there was no statutory difference between cartography, drawing and painting. These activities were performed then by craftsmen who were part of a vast group under the umbrella of ‘mechanical arts’ and fell under the ‘artifex’ category. Artifex were experts in any particular art, whether a craftsman,
Vasco Medeiros
wiley +1 more source
Entheogens in Christian Art: Wasson, Allegro and the Psychedelic Gospels [PDF]
In light of new historical evidence regarding ethnomycologist R. Gordon Wasson’s correspondence with art historian Erwin Panofsky, this article provides an in-depth analysis of the presence of entheogenic mushroom images in Christian art within the ...
Brown, Jerry, Brown, Julie M.
core
Statistical Downscaling of the Bulk and Tail of Simulated Precipitations
ABSTRACT Intense precipitation events are projected to become more frequent and severe in the future. Impact studies analyzing these changes typically rely on simulated precipitation data generated by climate models. However, these simulated datasets often exhibit biases and require post‐processing before they can be effectively used in impact studies.
Gabriel Gobeil +2 more
wiley +1 more source

