Results 31 to 40 of about 742 (169)
The Appreciation Game: A Monist Ontology of Works of Art
European Journal of Philosophy, Volume 34, Issue 2, Page 531-544, June 2026.Abstract A pluralist ontology of art states that works of art can belong to distinct ontological categories whereas a monist ontology states that all works of art belong to one ontological category. A monist ontology would be preferable since it is more informative about the nature of art, and may pave the way for a definition of art.
Enrico Terrone
wiley +1 more source
Simbolo e concetto nell'opera di Ricardo Porro / Symbol and Concept in the work of Ricardo Porro
Festival dell'Architettura Magazine, 2014 L’autore analizza la dimensione simbolica e concettuale dell’architettura di Ricardo Porro ed in particolare delle scuole d’Arte dell’Avana. Contenuti derivati dall’analisi iconografica di E.
David Bigelman
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Appareil, 2020 Cette contribution se veut une approche suivie du dernier ouvrage de Jean-Louis Déotte (Cosmétiques. Simondon, Panofsky, Lyotard, 2018, posth.), à travers une interrogation autour des sources de la pensée du philosophe.
Alain Naze
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Simulating the year to minute wind spectrum with mesoscale‐coupled large‐eddy simulations
Quarterly Journal of the Royal Meteorological Society, Volume 152, Issue 777, April 2026 Part B.We coupled a large‐eddy simulation (resolution 50 m) to a mesoscale model (resolution 2 km), which takes boundary conditions from the ERA5 reanalysis. When using a large enough mesoscale domain (𝒪(1000 km)), the simulation setup can reproduce the observed temporal wind spectrum reasonably at all scales between one year and one minute. Furthermore, such
Bernard Postema +5 more
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Statistical Downscaling of the Bulk and Tail of Simulated Precipitations
Environmetrics, Volume 37, Issue 2, March 2026.ABSTRACT Intense precipitation events are projected to become more frequent and severe in the future. Impact studies analyzing these changes typically rely on simulated precipitation data generated by climate models. However, these simulated datasets often exhibit biases and require post‐processing before they can be effectively used in impact studies.
Gabriel Gobeil +2 more
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Kōtuitui: New Zealand Journal of Social Sciences Online, Volume 21, Issue 1, March 2026.This paper examines how generative artificial intelligence (AI) reproduces colonial visual tropes when tasked with representing Aotearoa New Zealand's historical past. Using OpenAI's Sora as a case study, the analysis investigates AI‐generated images prompted to depict (1) precolonial landscapes, (2) first contact between Māori and Europeans, (3 ...
Olli Hellmann
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Review of Galileo as a Critic of the Arts
Transversal: International Journal for the Historiography of Science, 2017 Review of new Edition of Panofsky, Erwin.
Hallhane Machado
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Historiographies, 2019 Erwin Panofsky (b. 1892–d. 1968) was a German art historian who, after immigrating to the United States in 1933, became one of the most influential figures in 20th-century art history. His method of reading works of art as historical documents and understanding their interpretation as intimately connected to the literary and philosophical currents of ...
openaire +3 more sources
Journal of Advances in Modeling Earth Systems, Volume 18, Issue 3, March 2026.Abstract Accurately representing the surface sensible heat flux (SHF) in Earth System Models (ESMs) is of paramount importance and challenge. This study introduces an alternative surface‐layer SHF correction scheme by modeling nonlocal scale SHF through flux imbalance (FI) prediction models while employing the conventional gradient diffusion approach ...
Lijie Zhang +3 more
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Estimating Atmospheric Turbulence Intensity From Cup Anemometer Data
Earth and Space Science, Volume 13, Issue 3, March 2026.Abstract Conventional cup anemometers are widely used but limited by coarse sampling in representing turbulence. To address this, we introduce a cumulative spectral density (CSD) approach that quantifies turbulence contributions from 1‐min wind speed records while explicitly accounting for aliasing.
S.‐L. Kang, J.‐H. Ryu
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