Forma, „przedmiot dzieła”, Gestalt. Max Imdahl i Erwin Panofsky
Biuletyn Historii Sztuki, 2023 Max Imdahl uważał, że w metodzie ikonologicznej Erwin Panofsky nie poświęcił należytej uwagi problematyce formy artystycznej. Panofsky faktycznie nie dostrzegał „ikonicznego” poziomu dzieła sztuki, ale starał się uzasadnić nierozdzielność formy i ...
Wojciech Bałus
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What to do with the “Most Modern” Artworks? Erwin Panofsky and the Art History of Contemporary Art
Contemporaneity: Historical Presence in Visual Culture, 2014 In the 1930s, when the world-renowned Medieval and Renaissance art scholar Erwin Panofsky became acquainted with the New York contemporary art scene, he was challenged with the most difficult dilemma for art historians. How could Panofsky, who was firmly
Flora Lysen
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Conflict as Tool for Interpreting Style in Art Criticism: From Vasari to Longhi
piano b, 2017 In the History of Art Criticism, conflict has always been a conceptual tool for investigating artistic phenomena. Vasari, in many of his biographies, used it used to explain differences between artists, contrasting one with another.
Carmela Vargas
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Revisión de la hipótesis de E. Panofksy del origen del punto de fuga
EGACercano a su centenario, el texto más influyente de la historia de la representación publicado en el siglo XX, La perspectiva como forma simbólica (1927) de Erwin Panofsky, sigue siendo el referente inexcusable sobre el que pivotan los principales ...
Inmaculada López Vílchez +2 more
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UNDERSTANDING AND INTERPRETATION AS THE FUNDAMENTAL CONCEPTS OF ICONOLOGY OF ERVIN PANOFSKY
Докса, 2015 In the article concepts «understanding» and «interpretation» from positions of iconological methodology of Ervin Panofsky are considered. The form of iconology, offered by Panofsky, is considered as a certain sort of hermeneutics named as art ...
Анна Рабокоровка
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Evaluating anisotropy‐based Monin–Obukhov similarity theory over canopies and complex terrain
Quarterly Journal of the Royal Meteorological Society, EarlyView.This study shows that an anisotropy‐based generalization of Monin–Obukhov surface‐layer scaling (SC23) applies readily across a wide range of atmospheric conditions with variable terrain, canopies, and land‐cover complexity. This work focuses on the scaling of velocity variances for 7 years at the 47 sites in the National Ecological Observation Network
Tyler S. Waterman +3 more
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Perspectiva y visión. En el centenario de La perspectiva como forma simbólica, de Erwin Panofsky
EGAA punto de cumplirse ahora su centenario, el ensayo de Panofsky ha generado un vastísimo debate en el que ha sido presentado a menudo como el más sólido puntal para legitimar la exclusión de la perspectiva de la enseñanza y de la práctica artísticas ...
Rafael Alcayde Egea
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Is economics self‐correcting? Replications in the American Economic Review
Economic Inquiry, Volume 63, Issue 2, Page 463-485, April 2025.Abstract This paper reviews the impact of replications published as comments in the American Economic Review between 2010 and 2020. We examine their citations and influence on the original papers' (OPs) subsequent citations. Our results show that comments are barely cited, and they do not affect the OP's citations—even if the comment diagnoses ...
Jörg Ankel‐Peters +2 more
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The Tolnay–Panofsky affair or, loyalty to the youth: Max Dvořák, the Vienna School, and the Sunday Circle [PDF]
Journal of Art Historiography, 2020 The conflict between Charles de Tolnay and Erwin Panofsky that grew unprecedentedly acrimonious in the history of the discipline – the so-called Tolnay–Panofsky affair – was more than mere personal bickering. The documents clearly reveal that the ‘affair’
Csilla Markója, Kata Balázs
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