Results 31 to 40 of about 14,887 (185)

Vita von Erwin Panofsky

open access: yes, 2010
Eine wichtige Form des historischen Gedenkens ist seit dem 80. Jubiläum der Universität Hamburg vor zehn Jahren die Benennung der restaurierten Hörsäle im universitären Hauptgebäude, der „ESA 1“, nach den Opfern von Rassismus, Intoleranz und Inhumanität im „Dritten Reich“.
Krause, Eckart   +4 more
openaire   +3 more sources

A Panofskyian meditation on free will and the forces of history: is humanist historiography still credible? [PDF]

open access: yesJournal of Art Historiography, 2016
In his paper ‘The History of Art as a Humanistic Discipline’ Erwin Panofsky postulated the free will and rationality of historical subjects as the basis of the rejection of collectivist (holist) approaches to history writing.
Branko Mitrović
doaj  

Woodstock : aka (Titel des Director's Cut): Woodstock - Three days of peace & music ; aka (Titel der längeren Neuedition): Woodstock - 25th anniversray edition (Woodstock) ; USA 1970 [1994] [PDF]

open access: yes, 2010
"Ich glaube nämlich - sagen Sie das nicht weiter - daß es einen echten Documentary Film überhaupt nicht gibt", schrieb Erwin Panofsky im August 1942 an seinen Mit-Immigranten Siegfried Kracauer (Kracauer/Panofsky 1996, 11).
Meder, Thomas
core  

Titian's Bacchus and His Two Loves

open access: yesRenaissance Studies, Volume 39, Issue 2, Page 237-266, April 2025.
Abstract Titian's Bacchus and Ariadne represents not only Bacchus' attraction to Ariadne, as has long been recognized, but also his infatuation with a boy‐satyr, Ampelos, who struts at the centre of the composition. The little satyr's identity, recognized in the seventeenth century, but overlooked by modern scholars, is confirmed by newly revealed ...
Fern Luskin
wiley   +1 more source

Un moment de l'œuvre et du document, la reproduction photographique : passages entre Paul Otlet, Walter Benjamin et Erwin Panofsky [PDF]

open access: yes, 2011
International audienceAn instant of the work of art of the document : Paul Otlet, Walter Benjamin and Erwin Panofsky on photographic reproduction. One of the key phases in the analysis and theorisation of how photographic reproduction mediates works of ...
Régimbeau, Gérard
core   +3 more sources

Ecos das pinturas de paisagem de Nicolas Poussin na produção da série Meu nosso (entrevista)

open access: yesPoiésis, 2020
A entrevista imaginária com o candidato Carlos é um diálogo desenvolvido com base no livro Sublime Poussin, de Louis Marin. Apresenta desdobramentos de questões levantadas a partir de seus textos, julgados pertinentes ao desenvolvimento da série de ...
Carlos Eduardo Borges
doaj   +1 more source

Library As Place: Being Human in a Digital World

open access: yes, 2014
Despite the increasingly digital nature of information retrieval, both users and computers continue to occupy physical space, and the library – as place – offers an essential location for inspiration.
Clark, Amanda C.R.
core   +1 more source

The Panofsky-Newman Controversy

open access: yesAisthesis, 2015
Starting from Erwin Panofsky’s well-known polemical exchange of letters with Barnett Newman, and taking into account some few hints to contemporary artists which can be found into the Princeton Professor’s private correspondence, this essay deals with ...
Pietro Conte
doaj   +3 more sources

A origem do gótico nas idéias de Erwin Panofsky

open access: yesEscritos, 2020
O presente ensaio procura determinar quais foram as idéias que influenciaram o abade Suger na reforma da igreja de Saint-Denis – origem do gótico. Erwin Panofsky dá os traços essenciais desta investigação e abre novas  posibilidades de aprofundamento. Em
Vinícius Sabino Gomes
doaj  

Durero y los Hieroglyphica. Tres estampas y una pintura. Némesis (La Gran Fortuna). La Justicia. Melancolía I. Cristo ante los Doctores

open access: yesArchivo Español de Arte, 2006
El presente estudio trata de analizar algunas estampas de Alberto Durero, así como su pintura Cristo ante los doctores, en función de los conocidos Hieroglyphica de Horapollo que publicamos en edición castellana en el año 1991 (Akal).
Jesús María González de Zárate
doaj   +1 more source

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