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Gombrich, Art and Psychoanalysis [PDF]

open access: yesJournal of Art Historiography, 2011
Gombrich has always shown particular attention to the psychology of art as psychology of representation (and enjoyment) of art. In addition, through his friendship with Ernst Kris, who had been a respected art historian in the staff of the ...
Stefano Ferrari
doaj   +8 more sources

Gombrich on image and time [PDF]

open access: yesJournal of Art Historiography, 2009
There is a very close, indeed intrinsic, connection between the notions of image and time. Images are incomplete unless they are moving ones – unless, that is, they happen in time. On the other hand, time cannot be conceptualized except by metaphors, and
Kristóf Nyíri
doaj   +4 more sources

Gombrich on Strzygowski [PDF]

open access: yesJournal of Art Historiography, 2017
This is a transcript of a brief conversation between the author and the late Sir Ernst Gombrich on the subject of Josef Strzygowski as a human being based on his experiences as a student in Vienna.
Richard Woodfield
doaj   +2 more sources

Sobre Gombrich y el arte contemporáneo About Gombrich and the Contemporary Art

open access: yesAisthesis, 2009
El historiador del arte Ernst Gombrich ha sido un crítico de los supuestos filosóficos de la iconología de Erwin Panofsky, debido a que en ésta, tanto la obra de arte como su creador, se diseminan en la generalidad de la «cultura».
Sergio Rojas
doaj   +2 more sources

Gombrich and the Problem of Relativity of Vision [PDF]

open access: yesHuman Affairs, 2009
Gombrich and the Problem of Relativity of Vision The essay argues that Ernst Gombrich's views are relevant to the critical examination of the notion of the relativity and historicity of vision which has been widely accepted as one of the central axioms shared by visual studies, art history and film studies.
exaly   +2 more sources

Ernst H. Gombrich on Abstract Painting

open access: yesAisthesis, 2015
Ernst H. Gombrich criticized abstract painting with several remarks scattered around his wide oeuvre. I argue that his view of abstract paintings is coherent with the account of pictorial representation he put forward in Art and Illusion, show some ...
Elisa Caldarola
doaj   +5 more sources

Ernst H. Gombrich

open access: yesAnales del Instituto de Investigaciones Estéticas, 2012
Teresa Del Conde
doaj   +5 more sources

Reflections on teaching art history in art schools paper given, 4th January, 1966 [PDF]

open access: yesJournal of Art Historiography, 2022
With the creation of the Dip. A. D., formal teaching of art history became mandated in the Uk’s art schools. In a talk to university heads of art history, who would be required to train the required art historians, Gombrich addressed the problem of what ...
E. H. Gombrich
doaj   +1 more source

The Politics of Physiognomic Perception

open access: yesGestalt Theory, 2022
This article stages a confrontation between latent nominalist attitudes about inherent expression in perception—physiognomy—and new affective modes.
Verstegen Ian
doaj   +1 more source

Konec umění?

open access: yesActa Universitatis Carolinae Philosophica et Historica, 2020
The essay is dedicated to the end of art topic from the perspective of one of the most important Anglo-American philosophers Arthur Danto. The first part is devoted to Danto’s end of art thesis that reinterprets Hegel’s prediction that art will end in ...
Eva Drexlerová
doaj   +1 more source

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