Results 31 to 40 of about 3,059 (194)
Discovery or invention? The difference between art and communication according to Ernst Gombrich [PDF]
Journal of Art Historiography, 2011 This paper sets out to explore the boundaries between artworks and advertising works in line with the thinking of Ernst Gombrich. His distinction between art and other forms of communication emphasises the importance of ‘discovery’ as opposed to mere ...
Tiziana Migliore
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Sobre a interpretação da obra de arte o quê, o porquê e o como [PDF]
, 2009 Gombrich desenvolve argumentação a respeito da produção do conhecimento sobre a arte, indicando as especificidades da sua metodologia. Preocupado com a clareza e a inteligibilidade daquilo que o historiador da arte afirma sobre seu objeto de estudo ...
Gombrich, Ernst H.
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A sedução da etnografia da ciência The lure of ethnography of science
Tempo Social, 2005 Este artigo compara os resultados do exercício, peculiar aos sociólogos e antropólogos da ciência pós-kuhnianos, de documentar a prática científica cotidiana - ou o que se convencionou chamar de science-in-the-making - com os resultados advindos de um ...
Renan Springer de Freitas
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Journal of Contingencies and Crisis Management, Volume 34, Issue 2, June 2026.ABSTRACT This article investigates disaster communication as a process of disaster epistemology through which crises are culturally known, interpreted, and normalized. Based on a cross‐national qualitative comparison of Vietnam and the Philippines, the study broadens dominant secular models that conceptualize disaster communication as information ...
Ngoc‐Son Le
wiley +1 more source
, 2003 Gombrich : l’essentiel, sous la direction de Richard Woodfield, 2003, 624 ...
Béchard-Léauté, Anne
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The Dorsal‐Ventral Account of Picture Perception
Philosophy Compass, Volume 21, Issue 3, May/June 2026.ABSTRACT What is the nature of our perception of pictures? Philosophers intrigued by this question, and adopting a naturalistic perspective, have turned to findings from visual neuroscience to answer it. This perspective seeks to address the question within the framework of the Two Visual Systems Model, which provides a specific anatomo‐functional ...
Gabriele Ferretti
wiley +1 more source
A defence of light: Ernst Gombrich, the Innocent Eye and seeing in perspective [PDF]
Journal of Art Historiography, 2010 That ‘there is no innocent eye’ is one of the central propositions of Gombrich's Art and Illusion and a mantra that has played an immense role in art-historical and aesthetic scholarship for the past fifty years. It is also commonly thought to stand in a
Branko Mitrović
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La contribución de Ernst H. Gombrich a la Revista EGA.
EGA, 2018 Algunos de los libros de E. H. Gombrich, como Arte e Ilusión, El Sentido de Orden, La Imagen y el Ojo, o sus cuatro volúmenes sobre el Renacimiento, tuvieron en su día una gran acogida entre los profesores de Expresión Gráfica Arquitectónica.
Carlos Montes Serrano
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“The Growth of Interest”. Richard Wollheim on F. H. Bradley's Moral Psychology
European Journal of Philosophy, Volume 34, Issue 1, Page 218-228, March 2026.Abstract This paper aims to reconstruct two key stages of Richard Wollheim's engagement with the moral psychology of F. H. Bradley—first in his 1959/1969 book on Bradley, and later in his 1993 collection of essays, The Mind and its Depths—and to connect them to Wollheim's own account of a dynamic moral psychology, as detailed in The Thread of Life ...
Paolo Babbiotti
wiley +1 more source
‘Bagley among the Germans’: Robert Bagley, Gombrich among the Egyptians and Other Essays in the History of Art, Seattle: Marquand Books, 2016 [PDF]
Journal of Art Historiography, 2016 Robert Bagley’s Gombrich among the Egyptians is an ambitious challenge to business as usual in the teaching and practice of art history, tackling subjects from style and iconography to pedagogy and cross-cultural comparison, all in light of an original ...
Andrei Pop
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