Results 51 to 60 of about 3,059 (194)
Ethos, Volume 52, Issue 2, Page 186-205, June 2024.Abstract Drawing upon Stanley J. Tambiah's idea of “world conquerors” and “world renouncers,” this article examines the Burmese political festival (nainganyei pwe) as a ritual, affective, and material space where former political prisoners reinterpret violence and engage in forms of collective and personal “world‐making.” The article focuses on one ...
Seinenu M. Thein‐Lemelson
wiley +1 more source
El pochoir y la dimensión estética del color. Algunas reflexiones sobre la obra de E. A. Séguy
Ciencias Sociales y Educación, 2019 Emile-Allain Séguy (1877-1951), artista y diseñador francés, se inscribe en el art decó y el art nouveau, facetas en la historia del arte que cultivan la simetría y lo orgánico en el diseño, surgidas a principios del siglo XX con efectos en la pintura y ...
Hilderman Cardona-Rodas
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Using represented bodies in Renaissance artworks to teach musculoskeletal and surface anatomy
Anatomical Sciences Education, Volume 17, Issue 1, Page 24-38, January/February 2024.Abstract Surface anatomy is an important skill for students in preparation for patient care, and peer examination is often used to teach musculoskeletal and surface anatomy. An alternative pedagogical approach is to use bodies represented in artworks.
M. Melissa Gross +2 more
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, 1991 Gombrich Ernst, Bouniort Jeanne. Un témoignage personnel. In: Revue de l'Art, 1991, n°93. pp.
Gombrich, Ernst, Bouniort, Jeanne
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Modern Theology, Volume 40, Issue 1, Page 97-109, January 2024.Abstract This article interrogates the role of the human imagination in ordinary perception and orientation, in encounters with art, and in practices of faith. Philosophers and psychologists have long argued that perception is irreducibly imaginative, in the sense that to perceive intelligibly is, in part, to integrate sensory data into forms or wholes
Judith Wolfe
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Reflections on “Reflections on the Greek Revolution” [PDF]
Journal of Art Historiography, 2010 This essay offers a critique of Ernst Gombrich’s account of the Greek Revolution. I hope to show, however, that three major pivots of his argument -- the initiating rôle of the narrative, the continuing process of the refinement of "realism" and the ...
Mary Beard
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Arbor: Ciencia, Pensamiento y Cultura, 2017 Este texto plantea problemas teórico metodológicos relativos a una particular investigación sobre paisajismo moderno y contemporáneo. En él se trazan algunas cuestiones relativas a procesos dinámicos de cambios teóricos, epistemológicos y de forma en las
María Eugenia Rabadán Villalpando
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‘Immagini e parole: a new Italian collection of essays by E.H. Gombrich, brings a significant contribution to a seventy-year long debate in Italy and abroad’. Review of: Immagini e parole by Ernst H. Gombrich, edited by Lucio Biasiori, Rom [PDF]
Journal of Art Historiography, 2019 This Italian edition of a collection of essays (hitherto unpublished in Italian) by E.H. Gombrich allows us to rethink the connection between words and pictures from a sensibly different perspective from the discussions of the early 2000s.
Giuseppe Barbieri
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Fotojornalismo como fonte histórica
Em Tempo de Histórias, 2011 O presente artigo visa fazer uma revisão das principais ideias de Ernest Gombrich, Roland Barthes, e Eliseo Verón a respeito da análise de imagens a fim de averiguar quais as contribuições que os mesmos podem dar ao historiador no trabalho com jornais e
Eunice Ribeiro dos Santos
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