E. H. Gombrich. La Historia del Arte y la República de las Letras [PDF]
EGA, 2018 Discurso con ocasión de su investidura como Doctor Honoris Causa de la Universidad Complutense, el 28 de enero de 1992.
Ernst H. Gombrich
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”Art and psychoanalysis – 15 June 1988. Speakers: Professor Joseph Sandler and Professor Sir Ernst Gombrich”, part of the series “Dialogues on Contemporary Issues” hosted by the British Psycho-Analytical Society in the summer term of 1988 [PDF]
Journal of Art Historiography, 2012 The previously unpublished conversation between Ernst Gombrich and Joseph Sandler in 1988 constitutes an exciting meeting of minds in the field of art history and psychoanalysis, respectively.
Rachel Dedman (ed.) +2 more
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Sobre Gombrich y el arte contemporáneo [PDF]
Aisthesis, 2009 El historiador del arte Ernst Gombrich ha sido un crítico de los supuestos filosóficos de la iconología de Erwin Panofsky, debido a que en ésta, tanto la obra de arte como su creador, se diseminan en la generalidad de la «cultura».
Sergio Rojas
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Sobre la interpretación de la obra de arte. El qué, el porqué y el cómo [PDF]
RA. Revista de Arquitectura, 2003 El noviembre del 2001 fallecía en Londres Ernst Gombrich (1909–2001); pocos días antes le habíamos enviado el presente artículo para su aprobación.
Ernst H. Gombrich
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Ernst Gombrich on the knowledge, theory and analysis of art [PDF]
Journal of Art Historiography, 2011 The opening preface to the following collection of essays introduces the papers written for the Venice Gombrich Colloquium (March 2009), dedicated to the cultural inheritance of Sir Ernst Gombrich.
Paolo Fabbri, Tiziana Migliore
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Before Mnemosyne: Wilhelmine Cultural History Exhibitions and the Genesis of Warburg's Picture Atlas. [PDF]
Ber WissAbstract Aby Warburg's Bilderatlas Mnemosyne, left unfinished in 1929, has attracted significant interest in recent decades. This essay offers a new interpretation of Warburg's “picture atlas,” not in relation to modernist collage and photomontage, but as an heir to scientific pedagogical exhibitions of the late Wilhelmine period.
Vollgraff M.
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Drawing Animals in the Paleolithic: The Effect of Perspective and Abbreviation on Animal Recognition and Aesthetic Appreciation. [PDF]
Top Cogn SciAbstract The majority of Pleistocene figurative cave art in Western Europe consists of line drawings depicting large herbivores from the side view, and outlines were sometimes abbreviated to the head‐neck‐dorsal line. It is often assumed that the side view was used because it facilitates animal recognition compared to other views, and that abbreviated ...
Pagnotta M +4 more
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Gombrich i la història cultural [PDF]
, 2003 The recent death of the art historian motives this approach to his works. Gombrich studies connected art with many other fields of human knowledge. In this article the author focused the Gombrich conception of the relationship between art and cultural ...
Furió, Vicenç, 1957-
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Historiographies, 2019 Vie Ernst Gombrich est né à Vienne le 30 mars 1909. Il se forme à l’Institut National d’Histoire de l’art de Vienne avec l’éminent Julius Von Schlosser entre 1925 et 1930, qui lui inspire la rigueur de la méthode philologique et l’importance d’une base ...
historiographe
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