Results 51 to 60 of about 248 (143)
“The Renaissance Antiquity” in Works of Erwin Panofsky [PDF]
The article is dedicated to the conception of Italian Renaissance in the works of Erwin Panofsky. The main point of Panofsky’s conception is the idea of the Renaissance as the epoch of “the rebirth of antiquity”, which was formed to the full extent in his late book “Renaissance and renascences in Western Art” (1960). In his works, Panofsky creates
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On the Construction and Sources of Erwin Panofsky’s Iconology
The article deals with the impact of Karl Borinski and Karl Mannheim on Erwin Panofsky’s iconological method of interpretation of works of visual arts as presented in his 1939 Studies in Iconology. In a slightly different form it was firstly published in The Journal of Medieval and Renaissnce Studies XXXVII, 1974, 368–373.
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What to do with the “Most Modern” Artworks? Erwin Panofsky and the Art History of Contemporary Art
In the 1930s, when the world-renowned Medieval and Renaissance art scholar Erwin Panofsky became acquainted with the New York contemporary art scene, he was challenged with the most difficult dilemma for art historians. How could Panofsky, who was firmly
Flora Lysen
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Sobre Gombrich y el arte contemporáneo About Gombrich and the Contemporary Art
El historiador del arte Ernst Gombrich ha sido un crítico de los supuestos filosóficos de la iconología de Erwin Panofsky, debido a que en ésta, tanto la obra de arte como su creador, se diseminan en la generalidad de la «cultura».
Sergio Rojas
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Trente ans d’histoire de l’art aux États-Unis
Erwin Panofsky
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Et in Arcadia ego. Panosfski en perspectiva
En el presente ensayo se analiza la biografía científica del célebre historiador del arte Erwin Panofsky, intentando evaluar su legado a la historia del arte y de la cultura a partir de los comentarios críticos, explícitos o implícitos, que nos ha dejado
Carlos Montes Serrano
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Eine wichtige Form des historischen Gedenkens ist seit dem 80. Jubiläum der Universität Hamburg vor zehn Jahren die Benennung der restaurierten Hörsäle im universitären Hauptgebäude, der „ESA 1“, nach den Opfern von Rassismus, Intoleranz und Inhumanität im „Dritten Reich“.
Krause, Eckart +4 more
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Art of Medicine: anagogico more. [PDF]
von Kodolitsch Y, Virdis A, Debus ES.
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The Collaboration Between Art History and Genetics - An Unlikely Marriage of Disciplines. [PDF]
De Smet I, Vergauwen D.
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Los Montajes de la Temporalidad Editing and Mounting Temporality
El presente artículo analiza las relaciones entre historia del arte y modernización, a partir del desplazamiento del positivismo historiográfico por una antropología filosófica de las imágenes, realizado por el historiador alemán Erwin Panofsky.
Carlos Ossa
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