Results 11 to 20 of about 14,887 (185)
Wilhelm Vöge et Erwin Panofsky
, 2022 Comme il l’a rappelé à plusieurs reprises, c’est à l’enseignement de Wilhelm Vöge à l’université de Fribourg qu’Erwin Panofsky doit sa vocation d’historien de l’art. Tout au long de sa vie, il a voué à son maître une véritable dévotion et une affection profonde.
Vöge, Wilhelm, Recht, Roland
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Description: Its meaning, epistemology, and use with emphasis on information science
Journal of the Association for Information Science and Technology, Volume 74, Issue 13, Page 1532-1549, December 2023., 2023 Abstract This study examines the concept of “description” and its theoretical foundations. The literature about it is surprisingly limited, and its usage is vague, sometimes even conflicting. Description should be considered in relation to other processes, such as representation, data capturing, and categorizing, which raises the question about what it
Birger Hjørland
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Epistemic communities and their situated practices: Perspectival realism—a primer
Annals of the New York Academy of Sciences, Volume 1523, Issue 1, Page 5-10, May 2023., 2023 The epistemic feat that we call science is not an aseptic outcome of reasoning from an eternal viewpoint but the product of myriad epistemic communities with intersecting and interlacing scientific perspectives. Abstract The epistemic feat that we call science is not an aseptic outcome of reasoning from an eternal viewpoint but the product of myriad ...
Michela Massimi
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The Ghost and the Rock: Albert Renger‐Patzsch and the Shape of Time
Art History, Volume 46, Issue 1, Page 124-153, February 2023., 2023 The career of photographer Albert Renger‐Patzsch began in the early 1920s in the storerooms of Germany's ethnographic museums, and ended in 1966 with the publication of his last photobook, Gestein (Rock). His reputation as a leading exponent of Neue Sachlichkeit (New Objectivity) developed in tandem with heated debates over sculptural facsimiles and ...
Megan R. Luke
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German Life and Letters, Volume 75, Issue 3, Page 341-364, July 2022., 2022 ABSTRACT The article discusses aspects of the dialectics of genius cults in the nineteenth century, using examples of Mozart's reception: the unveiling of the Salzburg memorial statue in 1842, Franz Grillparzer's texts on Wolfgang Amadeus Mozart and his son Franz Xaver, as well as the artist's novella Der arme Spielmann.
Werner Michler
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Renaissance Studies, Volume 35, Issue 3, Page 360-385, June 2021., 2021 Abstract Rome and the Roman idea of imperium – a centring, totalizing military and legal right to rule and command obedience – looms large behind innumerable historical instances of geopolitical aspiration. Yet the story of ancient Rome and the empire it shaped does not belong to Rome alone.
Nandini Das
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German Life and Letters, Volume 74, Issue 2, Page 183-202, April 2021., 2021 ABSTRACT This article contends that the image is a central trope in Paul Celan's poetry. It suggests that Celan's rejection of metaphor and his opposition to readings of his poetry as mere imagery constitute only one side of his understanding of the image.
Julian Johannes Immanuel Koch
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The Solitary Mind in the Anatomy of Melancholy
, 2023 Critical Quarterly, Volume 65, Issue 2, Page 5-24, July 2023.
Angus Gowland
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Review of Galileo as a Critic of the Arts
Transversal: International Journal for the Historiography of Science, 2017 Review of new Edition of Panofsky, Erwin.
Hallhane Machado
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The art history and methodology of Millard Meiss and the question of his lukewarm reception in Italy [PDF]
Journal of Art Historiography, 2021 Review of: Jennifer Cooke, Millard Meiss, American Art History, and Conservation: From Connoisseurship to Iconology and Kulturgeschichte. This book review focuses on Jennifer Cooke’s careful and incisive analysis of the different methodological ...
Cathleen Hoeniger
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