Results 51 to 60 of about 374 (165)

Mihail Statnîi. Archetypes, Memory, and Tradition in the Contemporary Visual Discourse [PDF]

open access: yesDialogica: Revistă de Studii Culturale și Literatură
Through iconological and semiotic analysis, the study reveals the artistic universe of Mihail Statnîi, where rural memory, cultural archetypes, and tradition shape the foundation of a contemporary visual discourse.
Dorina CHICU
doaj   +1 more source

Montage as a gesture of mediation and education

open access: yesFilm Education Journal, 2023
Combining images, comparing and linking them in chains, clusters and texts is a cultural practice that was not invented with digitisation. It dates back to the nineteenth century, when the invention of photography facilitated the task of copying ...
doaj   +2 more sources

Typus-Casa Horne: connection with orthodox images and representation of theological narrative in works by Italian artists of 12th‒16th centuries / Typus-Casa Horne: связь с восточно-христианскими образами и репрезентация теологического нарратива в работах итальянских художников XII–XVI веков

open access: yesВизуальная теология
The iconography of the Pietà is traditionally rooted back to the Vesperbild. Such an approach is not entirely correct. Panofsky proposes two types of the Italian Pietà: Pietà-Nordica which is a Mary-centered composition (iconographically indeed referring
Ekaterina Iakovleva / Екатерина Владимировна Яковлева
doaj   +1 more source

Fragments d’un discours iconographique : Poétique de l’image dans L’Empire des signes de Roland Barthes

open access: yesQuêtes Littéraires, 2015
Roland Barthes was not only a literary theorist, a critic or a semiotician. Above all, he was concerned with signs, symbols and representations which shape the everyday life and nourish both identities of the individual subject and the social group.
Khalid Lyamlahy
doaj   +1 more source

The criterion of simplicity in interpretation [PDF]

open access: yesJournal of Art Historiography, 2011
The paper highlights the main features of Ernst Gombrich’s approach to the explication and to the interpretation of Renaissance works. These features are oriented to Karl Popper’s critical rationalism: a strong simplicity that distinguishes him from the ...
Giuseppe Barbieri
doaj  

Phytomorphic Elements of Embroidery from Cuetzalan, Puebla: Iconological Analysis

open access: yesArts
This article analyzes the symbolism of the phytomorphic motif of the mountain vine in the traditional embroidery of Cuetzalan, made by the Nahua women of the Masehual Siuamej Mosenyolchicauani collective.
Reyna I. Rumbo-Morales   +7 more
doaj   +1 more source

Analysis of Visual Features of the Murals of Seyyed Rukn al-Din Mausoleum’s Dome based on Iconology Approach [PDF]

open access: yesنگره
The dominant and fundamental element in a religious architecture is the existence of the dome element, which was built in different periods in different ways; sometimes simple and sometimes decorated with special plant motifs and geometric designs ...
Zeinab Samadnezhad Azar   +2 more
doaj   +1 more source

The Genesis of Iconographic Exegesis. [PDF]

open access: yesCurr Biblic Res, 2023
Klein Cardoso S.
europepmc   +1 more source

History of medicine in medical education: new Italian pathways. [PDF]

open access: yesJ Med Libr Assoc, 2023
Iorio S, Gazzaniga V, Lippi D.
europepmc   +1 more source

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