Results 51 to 60 of about 2,828 (201)

Recycled Images as Layers of Meaning in Picture Books

Interfaces, 2019
Kress and van Leeuwen showed that the visual could be considered as a semiotic mode, and developed a systemic-functional model of visual meaning. Drawing on Painter’s, Martin’s and Unsworth’s adaptation of their model to picture books, and on Panofsky ...
Isabelle Gras
doaj   +1 more source

Revisioning the Image

English Literature
This paper explores Ruskin's lifelong concern with the nature and significance of visual images. It argues that the diverse modes and moments of his engagement with vthem may be read as variant expressions of a progressively constituted iconology ...
Tucker, Paul
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Analyzing the Visual and Conceptual Patterns of the Ibex Motif on the Pottery of Tall-I Bakun of Fars, Iran (5th and 4th Millennia BC) using the Iconology Approach of Erwin Panofsky [PDF]

Cercetări Arheologice
The art of ancient Iran, replete with pictorial elements, encapsulates themes and concepts that have intrigued scholars since the earliest encounters with imagery. These elements, especially prevalent in pottery designs, offer a window into the cognitive
Sasan Samanian, Sareh Bahmani, Mohammad Hossein Rezaei   +2 more
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The Iconology of X-Ray Images [PDF]

, 2016
The subject matter of the article is the iconology of X-ray images. This is introduced in the light of the science of pictures proposed by research conducted by Horst Bredekamp who carried out the project Das Technische Bild in the years 2000-2012 ...
Łuczak, Dorota
core  

Drawing the Invisible: Visual Reflections on War and Reconciliation in Ukraine

Наукові записки Наукма: Історія і теорія культури
This article examines the role of visual art in addressing the layered experiences of Russia’s war on Ukraine’s social and emotional fabric, exploring its potential to facilitate the re-establishment of a new, commonly acceptable social agreement.
Olesia Herashchenko
doaj   +1 more source

The Locus of Meaning in Medieval Art: Iconography, Iconology, and Interpreting the Visual Imagery of the Middle Ages [PDF]

, 2019
This book addresses the status and relevance of iconography and iconology in the contemporary scholarly study of medieval art. There is a widespread tendency among art historians today to regard the study of iconography and iconology in the tradition of ...
Liepe, Lena Eva
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Mihail Statnîi. Archetypes, Memory, and Tradition in the Contemporary Visual Discourse [PDF]

Dialogica: Revistă de Studii Culturale și Literatură
Through iconological and semiotic analysis, the study reveals the artistic universe of Mihail Statnîi, where rural memory, cultural archetypes, and tradition shape the foundation of a contemporary visual discourse.
Dorina CHICU
doaj   +1 more source

Notes on photographic depictions of the portraits of Ancient philosophers [PDF]

SCHOLE, 2015
The article outlines the research in the area that has just started to take shape nowadays, namely the study of visual images of ancient philosophers, and identifies the ways in which we can clarify the role played by images of ancient philosophers ...
Savchuk, Valeriy
doaj  

Wandering towards Bruno: synderesis and “synthetic intuition”

Aisthesis, 2015
Focusing on the faculty of intuition, my essay considers different ways that Aby Warburg (1866-1929) and Erwin Panofsky (1892-1968) interpret the late Renaissance cosmographer, Giordano Bruno. It argues that Warburg, in the last year of his life and with
Christopher D. Johnson
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SENSORIALITIES AND SYNESTHESIA A PLEA FOR AN EXPANDED ICONOLOGY [PDF]

, 2018
Iconology – a method of interpretation systemized at the end of the 1930s by Panofsky – falls into a theoretical field heavily influenced by the legacy of Kant.
Hagelstein, Maud
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