Comparing the Composition System of Three Battle Miniatures in Khamsa of Nizami (1442 AD) Belonging to Three Different Persian Painting Schools [PDF]
نگره, 2022 Composition is the art of arranging the elements in such a way that they form a purposive structure. Composition in Persian Painting is closely connected to the relationship of the arts with mathematics and geometry.
Mina Sadri, MALIHE KASHIR
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The Iconology of the Raven Symbol in Andrea Kowch's Artwork"Soiree" Based on the Theory of Erwin Panofsky [PDF]
هنرهای زیبا. هنرهای تجسمیAndrea Kowch, a contemporary American artist, has gained recognition for her unique style that blends symbolism and a kind of magical realism. Her art often takes on a narrative quality, delving into the realms of memory, personal concepts, and inner ...
Elham Hosseinzadeh, Afsaneh Nazeri
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The Chemistry of Paints and Painting. [PDF]
Nature, 1892 CONSIDERING the widespread interest which attaches to all matters connected with pictures and painting, it is perhaps somewhat surprising that up to within quite recent times no attempt has been made to discuss and review in a comprehensive and efficient manner the materials and methods of painting from a strictly chemical point of view.
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An Analysis of the Images of Children in the Paintings of the Haft Aurang Jami in the Ferrier Collection, Based on the Theory of Performationism [PDF]
هنرهای زیبا. هنرهای تجسمیPerformationism is the theory that a human being is completely preformed in a very small size from the very beginning of conception and only grows in size and physical dimensions from the time of birth until adulthood.
Massoumeh Tayyar Parvin +2 more
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Uomo interrogante — “The Questioner”: About Some Iconological Features of the Interpretation of Gospel in Renaissance Painting [PDF]
Достоевский и мировая культура: Филологический журнал, 2022 The article analyses several Italian Renaissance works of art on Gospel themes that show a new type of character, “The Questioner” (Uomo interrogante), who through the interpretation of the Gospel by means of painting turns from an episodic character ...
Natalia F. Borovskaya
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Reflections of Feminism in Contemporary Mural Painting between Occidental and Oriental societies
ARCHive-SR, 2017 Feminism as a global movement was and is still working on achieving women rights & liberation in different ways and by using different tools. Art in general and mural painting as a public art in specific, are very eloquent tools to help present feminist ...
Zeinab Nour
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VIRTUAL RESTITUTION OF THE PARIETAL DECORATION IN THE SALA DEL MOSAICO DE LOS AMORES. CASTULO ARCHAEOLOGICAL SITE (LINARES, SPAIN) [PDF]
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, 2019 The use of photogrammetry in the field of archaeology is increasingly widespread. In the case of restoration, the use of 3D contributes to facilitating the complex process of an intervention and bringing the artwork closer to the general public.
T. López-Martínez +2 more
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THE CHEMISTRY OF PAINTS AND PAINT VEHICLES. [PDF]
Journal of the American Chemical Society, 1906 n ...
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The Stylistics of Illumination in Manuscripts Written During the Injuid Period [PDF]
هنرهای زیبا. هنرهای تجسمیThe stylistics of manuscript decorations helps identify artistic styles in the history of book art, understand other works of the period, and detect forgeries. Illumination is one of the key decorative arts in the art of the book. Manuscript illumination,
Pegah Ebrahimi, samad najarpour jabbari
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The Iconology of Woman’s Position in the Painting of Adam and Eve’s Expulsion from Paradise in Tahmasbi’s Falnama (962-967 AH) from the Point of View of Ervin Panofsky (1892-1968 AD) [PDF]
زن در فرهنگ و هنرShah Tahmasb Safavi pursued extremism during the latter portion of his reign. In this regard, women stayed at home. On the directive of Tahmasb, Tahmasabi composed his Falnama (962-967AH).
الهه Panjehbashi, motahareh seifi
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