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Painting the future for ART

Community Dentistry and Oral Epidemiology, 1998
Abstract– The objective of this paper is to review recent research and developments with respect to the atraumatic restorative treatment (ART) approach and to outline future areas of research and development. Areas identified as requiring further investigation include the evaluation of: ART restorations for longer than 3 years duration using ...
Holmgren, C.J., Frencken, J.E.F.M.
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The Art of Arts: Rediscovering Painting

The Art Bulletin, 2002
In "The Art of Arts", Anita Albus tells the story - in the birth and triumph of oil painting, the creation of perspective and the very nature of paint itself - of how, when and why the eye became king of all the senses. Albus's subjects are the inventors of easel painting in oils, the van Eyck brothers and their followers.
Rebecca Zorach   +2 more
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Dose painting: Art or science?

Radiotherapy and Oncology, 2006
There is currently a wide interest in integrating biological information in radiotherapy treatment planning with the aim of targeting radiation resistant regions. Biological conformality is pursued by creating a heterogeneous dose pattern reflecting intra tumour variation in biological factors of importance for response to radiation—the concept has ...
Tanderup, Kari   +2 more
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PAINTING, ART HISTORY, AND GEOGRAPHY

Geographical Review, 1997
Many years ago Nadia Boulanger wrote that every time the pianist Dinu Lipatti played a piece of music he heard it afresh. She made it sound as if this came naturally to Lipatti, and perhaps it did. Lesser pianists, however, must work hard to avoid the death that comes when they no longer hear what they are playing.
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Arts: Investments in Paintings

1992
The demand for art today is higher than ever before. Auction houses report record turnovers and absolute top prices are paid in increasingly rapid sequence. Only some years ago, Turner’s Seascape: Folkstone had an auction price of $9.8 million at Sotheby’s London.
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Painting as an Art

The Journal of Aesthetics and Art Criticism, 1989
Joseph Margolis, Richard Wollheim
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