Study of the Structural Elements of the Painting of the Great Dervish Curtain of the Qajar Period based on the Historiography of the Old and the New Sections in the Astan Quds Museum [PDF]
نگره, 2021 Dervish curtain is a painting that deals with the events of Ashura and is different from a coffee house painting. The Dervish curtains were very large and were prepared for the official mourning of the Shah.
Elaheh Panjehbashi
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Reading the Two Poles of Metaphor and Metonymy in Ghahve Khane Paintings, Isfahan School Paintings and Saqa Khane Painting with Roman Jakobson's Semiotics Approach [PDF]
نگرهGhahve khane painting is one of the types of folk art that emerged in the Qajar era by passing through the painting of Isfahan school and under the influence of function and socio-cultural conditions. Meantime, in Qajar era (especially in the second half)
Elham Taherian, Asghar Fahimifar
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Semantic Implications of Representing Fragmented Body in Postmodern Iranian Painting (Late 14th Century S.H.) [PDF]
پیکرهIntroduction: In postmodern art, the body has been a focal point as a subject, medium, and tool for artistic creation, as well as a site for experiencing and perceiving art. Scholars in the humanities have challenged conventional definitions of the body,
Samira Royan, Nilofar Jalili
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Pros and cons of drawing e-learning
Journal of Architecture, Art & Humanistic Science, 2020 The quality of e-learning depends on the ability to convert the educational materials to its electronic form, forming the educational materials in an enjoyable way for most of the learners, the existence of immediate and direct interaction between the ...
Asmaa Elnawawy
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Explicating the Calligraphic Conventions in Tiraz Fabrics from the First to the Eighth Century AH in Iran [PDF]
پیکرهIntroduction: The advent of Islam in Iran brought about a profound transformation in Iranian thought and art, reshaping pre-Islamic values and themes.
Reyhaneh Eslami, Farhad Khosravi Bijaem
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Heritage Science, 2020 Among the thirty-six paintings ascribed to the Dutch seventeenth century artist Johannes Vermeer (1632–1675), Mistress and Maid, in The Frick Collection, stands out for the large-scale figures set against a rather plain background depicting a barely ...
Dorothy Mahon +5 more
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The Iconology of Woman’s Position in the Painting of Adam and Eve’s Expulsion from Paradise in Tahmasbi’s Falnama (962-967 AH) from the Point of View of Ervin Panofsky (1892-1968 AD) [PDF]
زن در فرهنگ و هنرShah Tahmasb Safavi pursued extremism during the latter portion of his reign. In this regard, women stayed at home. On the directive of Tahmasb, Tahmasabi composed his Falnama (962-967AH).
الهه Panjehbashi, motahareh seifi
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Journal of Architecture, Art & Humanistic Science, 2021 The plastic and conceptual dimensions of the art of contemporary portrait as an indicator of cultural identityThe cultural and civilizational identity of a nation is the fixed, fundamental and common destiny of features and features that are related to ...
Seham Abd El Aziz Hamed
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Pediatric Blood &Cancer, EarlyView.ABSTRACT Introduction Adolescent siblings of children with cancer are at elevated risk for psychosocial problems. Unfortunately, various barriers such as limited family time and resources, conflicting schedules, and psychosocial staffing constraints at cancer centers hinder sibling access to support.
Christina M. Amaro +10 more
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Aesthetic Analysis of Native Bavig Dolls of the Lor Regions of Iran [PDF]
هنرهای زیبا. هنرهای تجسمیThis study explores the aesthetic and cultural significance of the native Bavig dolls from the Lor regions of Iran, highlighting their unique role beyond mere artifacts.
Fariba Gorjian, Hamidreza Mohebi
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