Funkcja estetyczna przekazu i jej rola semantyczna – malarstwo jaskiniowe i graffiti jako sztuka
Can Palaeolithic cave paintings and contemporary graffiti be qualified as art? Both of these graphic-semantic expressions, one from the beginnings of the development of writing, and the other from its end, are connected by the fact that they are only ...
Arkadiusz Stempin
doaj
Portable art of the Côa Valley (Vila Nova de Foz Côa, Portugal): Fariseu archeological site
The repertoire of Palaeolithic portable art in Portugal is very meager. In December of 1999, during salvage archaeological excavations at the Fariseu Station (Vila Nova de Foz Côa, Portugal), two schist slabs were found in stratigraphic context.
Marcos GARCÍA DIEZ, Thierry AUBRY
doaj
A Multimodal Research Approach to Assessing the Karst Structural Conditions of the Ceiling of a Cave with Palaeolithic Cave Art Paintings: Polychrome Hall at Altamira Cave (Spain). [PDF]
Bayarri V, Prada A, García F.
europepmc +1 more source
Lithics and personhood in the lateglacial of north west Europe
This thesis examines aspects of human personhood as expressed through lithic artefacts in north west Europe during the Lateglacial. The research sites are Hengistbury Head in Britain, Rekem in Belgium and a cluster of sites in the Neuwied Basin, in ...
Kofidou, Fotini
core
The Upper Paleolithic rock art of Portugal in its Iberian context
This text presents a synthesis of what is known of Palaeolithic rock art in Portugal. We observe, in Portugal, a great graphic homogeneity in pre-Magdalenian rock art and considerable differences between the southern and northern rock art during the ...
Santos, André Tomás +2 more
core
Between Function and Symbolism: Experimental insights from Mghvimevi
The Mghvimevi engravings represent the oldest known rock art in Georgia, dating to the Upper Palaeolithic. Fieldwork campaigns revealed 30 grooves consisting of parallel and intersecting lines.
Aleko Zavradashvili +4 more
doaj
Decoding palaeolithic hand stencils: age and sex identification through geometric morphometrics
Funding: The author V. Fernandez-Navarro is beneficiary of a “Concepcion Arenal” 2020–21 pre-doctoral contract at the University of Cantabria for research towards the PhD.
Fernández Navarro, V. +3 more
core +1 more source
Figure recognition and visual attention patterns behind the observation of Palaeolithic art. [PDF]
Silva-Gago M +4 more
europepmc +1 more source
Dogs were widely distributed across western Eurasia during the Palaeolithic. [PDF]
Marsh WA +45 more
europepmc +1 more source
Evaluating the evidence for lunar calendars in Upper Palaeolithic parietal art
In this paper, we examine the lunar calendar interpretation to evaluate whether it is a viable explanation for the production of Upper Palaeolithic parietal art.
Bahn, Paul +2 more
core +1 more source

