Results 161 to 170 of about 1,907 (212)

Negative Space: An Alternative Framework for Archaeoacoustics. [PDF]

J Cogn
Pham VA, Fletcher R.
europepmc   +1 more source

Shifting seas: understanding deep-time human impacts on marine ecosystems. [PDF]

Philos Trans R Soc Lond B Biol Sci
Holman LE, Bohmann K, Craig OE, Orton D, Pedersen MW, Tange Olsen M, Thurstan RH, Scourse J.   +7 more
europepmc   +1 more source

Back to Raqefet Cave, Mount Carmel, Israel

, 2005
Beeri, Ron, Mayer Bar-Yosef, Daniella E., Nadel, Dani, Lengyel, György, Tsatskin, Alexander, Bar-Oz, Guy, Hershkovitz, Israel   +6 more
core  

Beyond the Palaeolithic: Figurative final Palaeolithic art in Mediterranean Iberia

Quaternary International, 2020
Abstract This paper is part of a broad special issue exploring the Cultures of the Pleistocene-Holocene transition in Western Europe. In this context our aim is to offer a state of the art review of the figurative Palaeolithic art spanning the period between 15000 and 11500 cal BP (12500-10000 BP) in the Mediterranean Iberia.
Inés Domingo, Dídac Roman
exaly   +4 more sources

Palaeolithic cave art in Borneo

Nature, 2018
Figurative cave paintings from the Indonesian island of Sulawesi date to at least 35,000 years ago (ka) and hand-stencil art from the same region has a minimum date of 40 ka1. Here we show that similar rock art was created during essentially the same time period on the adjacent island of Borneo.
Aubert, M., Setiawan, P., Oktaviana, A. A., Brumm, A., Sulistyarto, P. H., Saptomo, E. W., Istiawan, B., Ma’rifat, T. A., Wahyuono, V. N., Atmoko, F. T., Zhao, J. X., Huntley, J., Taçon, P. S.C., Howard, D. L., Brand, H. E.A.   +14 more
openaire   +6 more sources

The lost art. An overview on the Romanian Palaeolithic art

Annales d'Université "Valahia" Târgovişte. Section d'Archéologie et d'Histoire, 2006
At the moment, a simple inventory of the objects that can be considered „art” objects or presenting intentional traces of processing without having a utilitarian motivation found in Romania would include 65 objects. Out of these, almost a quarter (23%) has disappeared.
Dumitru, Florin
openaire   +3 more sources

Illuminating palaeolithic art using virtual reality: A new method for integrating dynamic firelight into interpretations of art production and use [PDF]

Journal of Archaeological Science: Reports, 2023
Approaches to Palaeolithic art have increasingly shifted beyond the traditional focus on engraved or depicted forms in isolation, to appreciating the sensorial experience of art making as integral to shaping the form of depictions and the meaning imbued ...
Izzy Wisher, Andy Needham
exaly   +2 more sources

Is Palaeolithic cave art consistent with costly signalling theory? Lascaux as a test case

World Archaeology, 2017
Several proponents of costly signalling theory (CST) have noted its potential for understanding prehistoric art. We use the Late Upper Palaeolithic art of Lascaux Cave (Dordogne, France) as a test case as to whether we may be able to identify an ...
Paul Pettitt
exaly   +3 more sources

Making art, making society: the social significance of small-scale innovations and experimentation in Palaeolithic portable art

World Art, 2013
This paper discusses how the making of art – the materials, techniques, and gestures used during production – was culturally meaningful and socially variable during the European Upper Palaeolithic.
Rebecca Farbstein
exaly   +2 more sources

New Upper Palaeolithic Rock Art Complex in the Tejo Valley, Central Portugal [PDF]

Journal of Paleolithic Archaeology
This short report presents newly discovered Palaeolithic rock art panels within the Ocreza Valley (Lower Tejo River), central Portugal, comprising several engraved zoomorphic figures, including auroch and horse. Together, they substantially increase upon
Telmo Pereira, Sara Garces, Luiz Oosterbeek   +2 more
exaly   +2 more sources