Results 41 to 50 of about 13,113 (219)
Manos en la oscuridad: arte paleolítico en Gorham's Cave (Gibraltar) [PDF]
The work in the inner area of Gorham’s Cave, Gibraltar, has added to the Palaeolithic art located in the cave. Although work continues on the surveying and the study of the evidence found up to now, we present here a preview consisting of a ...
Calle Román, Lydia +7 more
core +2 more sources
ABSTRACT We present the application of a new quantitative approach to space study in Palaeolithic cave art. Using GIS, we analysed the distribution and position of hand stencils in El Castillo cave to track the gestures and behaviours of Palaeolithic societies.
Olga Spaey +7 more
wiley +1 more source
Beyond size: The potential of a geometric morphometric analysis of shape and form for the assessment of sex in hand stencils in rock art [PDF]
Hand stencils are some of the most enduring images in Upper Palaeolithic rock art sites across the world; the earliest have been dated to over 40 Kya in Sulawesi and 37 Kya in Europe. The analysis of these marks may permit us to know more about who was
Anthony Sinclair +72 more
core +1 more source
The characteristics of settlement of Neanderthals in northern Central Europe during the earlier phases of the Middle Palaeolithic (Marine Isotope Stage 8–6) have been a matter of debate for decades, specifically regarding the population dynamics at such latitudes during the coldest phases. In this paper, we review the known archaeological record of the
Gianpiero Di Maida +5 more
wiley +1 more source
Authoring Terrestrial Planets with Diffusion Models
Abstract To support the design and subsequent generation of terrestrial planets for use in the creative media, we propose a solution that employs a generative model trained on satellite data from planetary bodies with a defined solid surface, such as the Earth and Mars.
Oliver Borg +6 more
wiley +1 more source
Though many European Upper Palaeolithic sites document early examples of symbolic material expressions (e.g., cave art, personal ornaments, figurines), there exist few reports on the use of earth pigments outside of cave art-and occasionally Neanderthal ...
Elizabeth C Velliky +2 more
doaj +1 more source
Colour, form, animals and deception in the ice age
Vision is the main sense through which we observe and recognise the outside world. Humans are among the few mammals with trichromatic vision, which is important for food procurement and evading predators.
Simona Petru
doaj +1 more source
Minor epic: Notes toward a different “Anthropoetry”
Abstract Anthropologists have often turned to poetry as a means of accessing emotional registers of which conventional academic prose is unable to avail. In doing so, they have tacitly conflated poetry with lyric poetry, today probably the most widely practiced poetic genre, associated in particular with the expression of inner feelings and subjectival
Stuart McLean
wiley +1 more source
Rock art of the Mediterranean basin on the Iberian Peninsula. From El Cogul to Kyoto [PDF]
Roca dels Moros in El Cogul is the first set of prehistoric paintings documented in Catalonia, and since its discovery in 1908 it has been a referent in prehistoric art on the Iberian Peninsula.
Gemma Hernández, Mauro S. Hernández
doaj +1 more source
Black in Impressionism and Post‐Impressionism: Art, Color Vision, and Psychophysics
Black has engendered controversy in 19th Century color theory and in Impressionist and Post‐Impresssionist painting. The neural mechanisms of blackness perception are being revealed through contemporary psychophysics. ABSTRACT From Paleolithic cave art to modern abstraction, artists have used black not merely as a neutral tone, but as a powerful ...
John S. Werner
wiley +1 more source

