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2022
Chapter Five focuses intently on the epigraphs and (the controversial) epilogue that stretch the narrative boundaries of Deathly Hallows in a close reading, informed by structuralist narratology. What do these paratexts demand from readers, and how does Rowling imagine her audience making use of them “nineteen years later” and beyond?
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Chapter Five focuses intently on the epigraphs and (the controversial) epilogue that stretch the narrative boundaries of Deathly Hallows in a close reading, informed by structuralist narratology. What do these paratexts demand from readers, and how does Rowling imagine her audience making use of them “nineteen years later” and beyond?
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Metagaming and Paratextual Play
2020In this chapter, we explore the creative metagaming and paratextual play practices that surround Minecraft, apprehending the many ways that the game encourages and enables sociality and informal literacies beyond the core gameplay. The terms metagaming and paratextuality describe the way players engage outside the boundaries of the primary game ...
Larissa Hjorth +3 more
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2001
Though it may seem odd to end with a note about prefaces and annotation, it is oddly appropriate to a study which has tried to shed a little light on the work of some English Reformation Bible revisers, themselves paratextual entries in general histories of the English Bible.
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Though it may seem odd to end with a note about prefaces and annotation, it is oddly appropriate to a study which has tried to shed a little light on the work of some English Reformation Bible revisers, themselves paratextual entries in general histories of the English Bible.
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The book’s introduction offers a comprehensive overview of the archives, methodologies, and scholarly discourse surrounding nineteenth-century newspaper poems and their paratexts. It begins by providing a working definition of paratext, derived from Gérard Genette’s theoretical framework.
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