Results 51 to 60 of about 8,414 (239)

Mediaeval ideas of “parody” and comic poems by Jean Molinet (Part 1) [PDF]

Вестник Православного Свято-Тихоновского гуманитарного университета: Сериа III. Филология
The concept of "parody" in the context of the Middle Ages is marked by the influence of studies on intertextuality. Following G. Genette, medievalists view it as one of its categories and sometimes even equate it with intertextuality itself.
Ludmilla Evdokimova
doaj   +1 more source

Spiritual Manifest Destiny: B.A. Santamaria's Political Theology

Australian Journal of Politics &History, EarlyView.
This article offers a reading of B.A. Santamaria's political theology and its role in the making of contemporary Australian political imaginaries. The article charts the shifting targets of Santamaria's critique and activism, showing his departure from the perceived communist threat to a wide‐ranging attack on liberal and leftist social movements.
Clare Monagle
wiley   +1 more source

The McKinleys of Punch: Politics and the Press in Melbourne, 1870s to 1920s

Australian Journal of Politics &History, EarlyView.
This article re‐examines the Melbourne Punch (1855–1925; known simply as Punch from 1900) as a political weapon in the cut‐and‐thrust of Victorian, local, and national politics, in the hands of its longest‐serving, but least‐known proprietor, Alexander McKinley (1848–1927).
Richard Scully
wiley   +1 more source

Norman and Nietzsche: The Political Project of Lindsay's The Magic Pudding

Australian Journal of Politics &History, EarlyView.
Australian artist and writer Norman Lindsay (1879–1969) wrote 11 novels and two children's books, one of which—The Magic Pudding first published in 1918—remains a national classic. This article argues that readers and critics have long misunderstood Lindsay's intention in writing this lengthy cartoon‐story about the adventures of Bunyip Bluegum in ...
John Uhr
wiley   +1 more source

The function of parody in Carmelo Bene’s rewritings

Between, 2016
Parody is a fundamental tool in Carmelo Bene’s rewritings. This paper investigates the forms of parody used by the author in order to understand their functions.
Dario Russo
doaj   +1 more source

Feelings Without Emotion: Rethinking Male Friendship and the Value of Personal Reticence

American Anthropologist, EarlyView.
ABSTRACT In various Euro‐American contexts, commentators have highlighted how emotional reticence inhibits men's ability to understand themselves and connect with others. More generally, public discourses of affective expressivity often present curtailed emotion as a form of “repression.” Through an ethnographic account of male railway enthusiasts ...
Thomas Yarrow
wiley   +1 more source

Politieke herskrywings van die Ons(e) Vader-gebed in vier Afrikaanse gedigte

Literator, 2011
Political rewritings of the Our Father prayer in four Afrikaans poems. The utilisation of religious elements is a prominent trend in Afrikaans poetry − often in service of the political struggle, for example during the apartheid years.
G.C. Engelbrecht, P.H. Foster
doaj   +1 more source

Пародийное в авторской песне

Studia Rossica Posnaniensia, 2016
In this article parody is analyzed as a type of intertextuality. A reader can only understand an artistic text which is a parody when he/she notices the contrast between its subject matter and form.
Bartosz Osiewicz
doaj   +1 more source

The Social Truth of Schopenhauer's ‘Metaphysics of Pity’: Compassion and Critical Theory

European Journal of Philosophy, EarlyView.
Abstract Taking Horkheimer and Adorno's account of pity in the Dialectic of Enlightenment as my starting point, I show that Schopenhauer's compassion‐based moral theory exemplifies key elements of this account. In particular, this moral theory will be shown to possess a social truth for Horkheimer and Adorno because it is an expression of a wrong ...
David James
wiley   +1 more source

Naqizeh and Parody [PDF]

متن شناسی ادب فارسی, 2011
Naqizeh, as one of the basic techniques in satire, is the equivalent of parody in western literature. But they are different in many aspects. In Persian literature all of the terms such as parody, burlesque and travesty fall under the rubric of Naqizeh ...
Q.A Fallah, Z Saberi Tabrizi
doaj