Results 61 to 70 of about 2,865 (212)
History as Story and Parody in Julian Barnes’s the Noise of Time
Romanian Journal of English Studies, 2019 This article analyses Julian Barnes’s The Noise of Time, a postmodernist parody of the Russian communist world, and shows that historical truth is turned into a story which is remembered with bitter irony and which offers various interpretations.
Catană Elisabeta Simona
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Unmothered at Work: Organizational Silence Around Reproductive Loss
Gender, Work &Organization, EarlyView.ABSTRACT An identity transition refers to changes in self‐concept that can result from professional or personal shifts. Although organizations increasingly support institutionally legible and culturally normative nonwork transitions, others remain professionally stigmatized or culturally unspeakable.
Katrina M. Brownell
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Mediaeval ideas of “parody” and comic poems by Jean Molinet (Part 1) [PDF]
Вестник Православного Свято-Тихоновского гуманитарного университета: Сериа III. ФилологияThe concept of "parody" in the context of the Middle Ages is marked by the influence of studies on intertextuality. Following G. Genette, medievalists view it as one of its categories and sometimes even equate it with intertextuality itself.
Ludmilla Evdokimova
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The Irony of Liberation in One Flew Over the Cuckoo's Nest
The Journal of American Culture, EarlyView.ABSTRACT The 1975 film One Flew Over the Cuckoo's Nest vividly portrays the tragic consequences of repressive psychiatric authority. The film was—and remains—one of the most memorable and well‐known products of anti‐psychiatry sentiment. Opponents of American psychiatry from the time period of Cuckoo's Nest objected to what they saw as social control ...
Laura Hirshbein
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International Journal of Art &Design Education, EarlyView.Abstract In recent years, there has been a growing interest in the Mokuhanga technique, a traditional Japanese printmaking method, and its contemporary evolution. This article explores the history of this discipline, its technical uniqueness, and its resurgence in the current context, with particular attention to its development in Spain.
Macarena Moreno Moreno
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PARODY AS ONTOLOGIC AND GNOSEOLOGIC PROBLEM OF RUSSIAN (S.-PETERSBURG) AVANT-GARDE IN 1920S
Докса, 2012 The article explains why the thinkers of Russian avant-garde suggested and developed a theory of parody in 1920s. The cultural and politic context of the avant-garde’s theory of parody is analyzed.
Сергій Троіцький
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From the Ground to the Stars: The Vertical Politics of the EU Drone Wall and Airspace Defence
JCMS: Journal of Common Market Studies, EarlyView.Abstract This research note analyses the European Commission's Defence Readiness Roadmap 2030 as a manifestation of a new spatial and technological logic of European defence: the vertical territorialisation of security. Moving beyond traditional perimeter‐based understandings of territorial defence, the Roadmap constructs a multi‐layered continuum ...
Justinas Lingevicius +2 more
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Journal of Management Studies, EarlyView.Abstract This essay argues that social media document (rather than fuel) the decline of political democracy while helping revive organizational democracy, including through ‘decentralized autonomous organizations’ (DAOs). Yet, despite giving everyone a voice and the ability to organize across borders, social media could over‐concentrate power if, in ...
J.P. Vergne
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Studia Rossica Posnaniensia, 2016 In this article parody is analyzed as a type of intertextuality. A reader can only understand an artistic text which is a parody when he/she notices the contrast between its subject matter and form.
Bartosz Osiewicz
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Journal of Sociolinguistics, EarlyView.ABSTRACT Sociolinguistic research has long documented the appropriation of African American Vernacular English (AAVE) across media including film, music and advertising. In this article, we add to this body of work by exploring the digital recontextualisation of a subset of AAVE features as ‘TikTok/internet language’.
Christian Ilbury, Rianna Walcott
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