Results 51 to 60 of about 113,286 (254)

Gothic Sense and Sensibility [PDF]

open access: yes, 2014
It is well known that Jane Austen\u27s Northanger Abbey is a parody of the Gothic genre, and this paper supports that reading. However, this paper analyzes the novel through the use of Austen’s identification of the terms “sense” and “sensibility” that ...
Taylor, Stephanie Abigail
core   +1 more source

Pseudonyms, Propaganda, and Prints: The Life and Political Caricatures of William Dent, 1782–931

open access: yesJournal for Eighteenth-Century Studies, EarlyView.
Abstract ‘Dent was probably an amateur and nothing is known of his life’, state Bryant and Heneage. Despite contributing to caricature's ‘golden age’, William Dent remains overlooked compared to contemporaries like James Gillray. Dent's extensive portfolio (1782–93) and rumoured role as a Pittite propagandist have not secured his place in the canon of ...
Callum D. Smith
wiley   +1 more source

Apuntes de seleccion artificial para la provincia de Malaga [PDF]

open access: yes, 1875
Ded. autógr. del aut.Memorias del Instituto Geologico de España / por Domingo de Orueta.Bosquejo geologico de la parte sud-oeste de la provincia de Malaga / por Domingo de Orueta.Caracteristicas geologicas de los materiales bituminosos de la Serrania de ...
Parody, Luis.
core  

Norman and Nietzsche: The Political Project of Lindsay's The Magic Pudding

open access: yesAustralian Journal of Politics &History, EarlyView.
Australian artist and writer Norman Lindsay (1879–1969) wrote 11 novels and two children's books, one of which—The Magic Pudding first published in 1918—remains a national classic. This article argues that readers and critics have long misunderstood Lindsay's intention in writing this lengthy cartoon‐story about the adventures of Bunyip Bluegum in ...
John Uhr
wiley   +1 more source

Make Me Walk, Make Me Talk, Do Whatever You Please: Barbie and Exceptions [PDF]

open access: yes, 2013
Barbie represents an aspiration to an ideal and also a never-ending mutability. Barbie is the perfect woman, and she is also grotesque, plasticized hyperreality, presenting a femininity exaggerated to the point of caricature. Barbie’s marketplace success,
Tushnet, Rebecca
core   +2 more sources

The Outsiders: Principled Withdrawal, Whiteness, and Power in the Los Angeles Food Justice Movement

open access: yesAmerican Anthropologist, EarlyView.
ABSTRACT This article draws on understandings of whiteness and the misconstrual of South Central Los Angeles to analyze the power dynamics between “outsider” activists and residents of South Central as they worked toward a more equitable food system.
Hanna Garth
wiley   +1 more source

Spoofing Presidential Hopefuls: The Roles of Affective Disposition and Positive Emotions in Prompting the Social Transmission of Debate Parody

open access: yesInternational Journal of Communication, 2020
Exploring factors that contribute to the social transmission of debate parody, this study employs the conceptual lenses of affective disposition and discrete emotions.
Jason T. Peifer, Kristen D. Landreville
doaj  

History as Story and Parody in Julian Barnes’s the Noise of Time

open access: yesRomanian Journal of English Studies, 2019
This article analyses Julian Barnes’s The Noise of Time, a postmodernist parody of the Russian communist world, and shows that historical truth is turned into a story which is remembered with bitter irony and which offers various interpretations.
Catană Elisabeta Simona
doaj   +1 more source

Intertextual relations between the text of parody and the precedental text [PDF]

open access: yes, 2011
The article specifies the basic contacts between the text of parody and the precedental text in the single text space. The forms of intertextuality (intertexts) are presented as allusions, quotations, reminiscences that are combined and create the ...
Savchenko (Chuprina), N.N.
core  

Introduction: Crying over Little Nell [PDF]

open access: yes, 2007
Do you ever find yourself coming over all sentimental? And if you do, do you like it, or do you feel embarrassed by your sentimental proclivities? Is sentimentality a pleasurable indulgence, a minor vice, or a lapse of aesthetic and moral taste?
Bown, Nicola
core   +2 more sources

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