Results 21 to 30 of about 2,877 (170)

Baudelaire Laboratory. Brief History of a Project by Walter Benjamin

open access: yesAisthesis, 2020
The article intends to retrace, from a historical-philological point of view, the main steps of Walter Benjamin’s unfinished research and works, conducted during his later years, dedicated to Charles Baudelaire.
Marina Montanelli
doaj   +1 more source

A spectacularity concept in modern philosophy [PDF]

open access: yes, 2016
The paper focuses on the interpretation problem of the concept of spectacularity in modern philosophy. The particularities of different conceptions of spectacularity are analyzed and the special attention is paid to its role in the development of the ...
Chaika (Chayka), Yuliya Aleksandrovna   +3 more
core   +1 more source

Benjamin and Koolhaas: History's Afterlife

open access: yesFootprint, 2016
Dialectical images are at the core of the methods suggested by two books written four decades apart yet published around the same time. The Arcades Project (first published as Das Passagen-Werk in 1981) and Delirious New York (1978) use images to ...
Frances Hsu
doaj   +1 more source

El anarchivismo en Walter Benjamin. Sobre la práctica del coleccionista y la filosofía materialista de la historia

open access: yesAufklärung, 2016
El objetivo de este artículo es ahondar en la reflexión filosófica de Walter Benjamin sobre el coleccionismo, detallando al mismo tiempo su íntimo vínculo con la particular noción de materialismo histórico desarrollada por el autor del Passagen-Werk ...
Andrés Maximiliano Tello
doaj   +1 more source

La forma come esperimento o come destino [PDF]

open access: yes, 2011
This essay focuses on the complex relationship between Walter Benjamin and Goethe’s morphological doctrines as a key way into defining the concept of the dialectical image.
Ottaviani, Alessandro
core   +2 more sources

Notas sobre Siegfried Kracauer, Walter Benjamin e a Paris do Segundo Império: pontos de contato Notes on Siegfried Kracauer, Walter Benjamin and Second Empire Paris: affinity points

open access: yesHistória, 2006
Trata-se de mostrar a originalidade crítica de Siegfried Kracauer diante da experiência da modernidade estética e de discutir as afinidades estético-teóricas de Kracauer e Benjamim ao analisar a Paris da segunda metade do século XIX, o Segundo Império ...
Carlos Eduardo Jordão Machado
doaj   +1 more source

The Experience of Time as Crisis. On Croce’s and Benjamin’s Concept of History [PDF]

open access: yes, 2011
In the early decades of the twentieth century the experience of time as crisis became the catalyst for a fundamental reorientation in the relationship between historical materialism and idealism, leading to the rejection of simplistic mechanical concepts
KORNER, A
core   +1 more source

Sociolinguistics going ‘wild’: The construction of auratic fields

open access: yesJournal of Sociolinguistics, Volume 23, Issue 5, Page 505-520, November 2019., 2019
Abstract This paper sets out to focus the “linguistic construction of publics” (Gal & Woolard, 2014 [2001]: 1) in a sense of the word that is often excluded from sociolinguistic discussion of linguistic action in the public sphere: it discusses how the public is constructed as an indexical (‘auratic’) arena, and a field for positioning, in ...
Jürgen Spitzmüller
wiley   +1 more source

Jumpstarting the future with Fredric Jameson: Reflections on capitalism, science fiction and Utopia [PDF]

open access: yes, 2009
This paper turns around the key concern that it has become almost impossible to imagine a form of the future that is neither a prolongation of what already exists nor its apocalyptic demise.
De Cock, CJL
core   +1 more source

FROM MILAN TO WEST BERLIN: SPATIAL ALIENATION AND THE POST‐1945 ANXIOGENIC CITYSCAPE IN ANNA MARIA ORTESE'S SILENZIO A MILANO AND INGEBORG BACHMANN'S ‘EIN ORT FÜR ZUFÄLLE’

open access: yesGerman Life and Letters, Volume 78, Issue 4, Page 544-566, October 2025.
ABSTRACT This article examines Anna Maria Ortese's collection of journalistic reportages and short stories, Silenzio a Milano (Silence in Milan, 1958), and Ingeborg Bachmann's speech ‘Ein Ort für Zufälle’ (17 October 1964). It focuses on their topophobic images of Milan and West Berlin, the anxious representations of these post‐1945 urban landscapes ...
Roberto Interdonato
wiley   +1 more source

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