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“Mutatis mutandis.” Sirens as Pathosformel of the Trans-Performative Act
Drawing from and based on the Warburgian methodology, which sees nymphs (natural spirits of air, water, and earth) as the reoccurrence of an image that implies a trans-performative action, this analysis aims to further outline the performative charge of the aforementioned Pathosformel and how it has been used by German authors.
Giulia Iannucci
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Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online, 2019
The artist and polymath Lambert Lombard of Liège developed a radical outlook on the theory and practice of artistic creation that he sought to illustrate in a ‘grammar’ of formal studies. Devised during a period of intense crisis for image-making in northern Europe, this ‘grammar’ offered a means to restore authority to the visual arts by recovering a ...
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The artist and polymath Lambert Lombard of Liège developed a radical outlook on the theory and practice of artistic creation that he sought to illustrate in a ‘grammar’ of formal studies. Devised during a period of intense crisis for image-making in northern Europe, this ‘grammar’ offered a means to restore authority to the visual arts by recovering a ...
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Wind: Pathosformel and Iconology of a Quintessence
2014The representation, evocation and suggestion of wind in the visual arts touche on fundamental ideas relating to the anthropology of the senses and their descent into the visual medium. How has wind impregnated the theory of the image? Is it a question of visual pneuma? And is wind in the arts a question of content, or rather a matter of formal affect?
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Bildtextualität, Narrativität und Pathosformel: Überlegungen zur Bildrhetorik
2015Zweitveröffentlichung
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Das Triptychon als Pathosformel
The Journal of Aesthetics and Art Criticism, 1961Philipp Fehl, Klaus Lankheit
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