Results 81 to 90 of about 592 (121)
, 2021 Als Schlüsselbeispiel für Warburgs Wortprägungen bildet der Begriff „Pathosformel“ in Aufbau, Anwendung und Bedeutungsspektrum ein für viele kulturtheoretische Zusammenhänge relevantes Werkzeug: In seiner ursprünglichen Verwendung verweist er auf Warburgs Untersuchung kollektiver und individueller Gedächtnisvorgänge; losgelöst von Warburgs Werk behält ...
Targia, Giovanna, Giovanna Targia
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, 2013 Der Name Abraham Moritz Warburg erlebt vor allem in den Kultur- und Bildwissenschaften eine Renaissance. Fokus dieser Arbeit ist die Analyse von Primärquellen zum Begriff Pathosformel, mit dem Warburg das sogenannte Nachleben der Antike untersuchte. Mittels close reading werden vor allem Warburgs Dissertation zu Sandro Botticellis Geburt der Venus und ...
Oswald, Isabella Martina
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The Injury: On Pathosformel in João Pedro Rodrigues’s Work
2022This chapter proposes a structural examination of João Pedro Rodrigues’ work on the recurring theme of injury. Drawing from Gilles Deleuze’s concepts of image pulsion and the elementary world, João Pedro Rodrigues’ four feature films are analysed as naturalist cinema, in which the idea of an impersonal injury is central.
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6 Wild Is the Wind: Pathosformel and Iconology of a Quintessence 221
2018The representation, evocation and articulation of the element of wind in the visual arts is suggestive of fundamental and complex patterns underlying the relationship between the anthropology of the senses and their sedimentation in the visual medium. The blowing of the wind as such is invisible; its dynamic quality is detectable merely indirectly, by ...
Barbara Baert
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Aby Warburg, rituel, Pathosformel et forme intermédiaire
, 2003 The paper examines the Warburghian concept of "intermediary form" as ritual moment in the in-between of art and life. It also explores the afterlife of the Pathosformel in the painterly motif of Clorinda's baptism in the paintings by Domenico Tintoretto and other artists.
careri
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2022
O trabalho de Vasco Araújo é um desafio. E é-o na forma como permanentemente interpela as nossas concepções acerca do que é um sentimento, uma emoção e como as suas obras interrogam os mecanismos com que construímos a nossa persona. [Nuno Crespo] / PATHOSFORMEL trata-se de uma obra/filme interdisciplinar, tanto na forma quanto no conteúdo.
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O trabalho de Vasco Araújo é um desafio. E é-o na forma como permanentemente interpela as nossas concepções acerca do que é um sentimento, uma emoção e como as suas obras interrogam os mecanismos com que construímos a nossa persona. [Nuno Crespo] / PATHOSFORMEL trata-se de uma obra/filme interdisciplinar, tanto na forma quanto no conteúdo.
openaire +1 more source