Results 31 to 40 of about 24,704 (104)
The corrupted ideal and the rediscovered ideal. The function of metaphor in Donet baillié au roy Loÿs twelfth by Jean Molinet The subject matter of the analysis is an interesting poem by Jean ...
Anna Gęsicka
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Literary history as bestseller: the life and opinions of a fraudulent philologue
In this article we reveal the publishing ventures of Octav Minar (1886-1967), one of the Romanian authors that was disesteemed by fellow literary historians on account of his counterfeiting acts such ...
Roxana Patraș, Antonio Patraș
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The reports of the “Strapontin volant” as an example of world literature in the French language.
Agnieszka Kukuryk
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The article discusses the main premises of Tomasz Kaczmarek’s and Anna Jarosz’s lexicon: Il linguaggio dello spettacolo.
Katarzyna Gadomska
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Exchanges between writers in the French-speaking world. The case of the correspondence between Leopold S.
Grzegorz Duliński
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Towards new materialism: Things in Poems edited by Josef Hrdlička and Mariana Machová
The article discusses the most important threads of the monograph Things in Poems edited by Josef Hrdlička and Mariana Machová, (Prague: Karolinum Press, 2022) in the context of studies on objectivism.
Jakub Kornhauser
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Non-standard Romance languages in the monograph Langues romanes non standard edited by Iwona Piechnik y Marta Wicherek The aim of this article is to make some critical remarks on the monograph ...
Witold Sobczak
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This article reflects on material objects and the practice of collecting as literary subject linked to the themes of memory and past in contemporary Turkish fiction.
Tina Maraucci, Ayşe Saraçgil
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Matéi Visniec – à la croisée de deux cultures
Matéi Visniec ‒ at the crossroads of two cultures The aim of this article is to present the evolution of poetics in the dramatic work of Matéi Visniec, a French-speaking Romanian author, taking into
Sylwia Kucharuk
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« Faire des mots des yeux ». La philologie et les images chez Georges Didi-Huberman
The article proposes an examination of the relations Georges Didi-Huberman’s work establishes between the discipline of philology and the knowledge he applies to images as cultural objects.
Laura Marin
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