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Psychoacoustic Models for Perceptual Audio Coding—A Tutorial Review [PDF]
Applied Sciences, 2019 Psychoacoustic models of human auditory perception have found an important application in the realm of perceptual audio coding, where exploiting the limitations of perception and removal of irrelevance is key to achieving a significant reduction in ...
Jürgen Herre, Sascha Dick
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Perceptual Coding of Audio Signals Using Adaptive Time-Frequency Transform
EURASIP Journal on Audio, Speech, and Music Processing, 2007 Wide band digital audio signals have a very high data-rate associated with them due to their complex nature and demand for high-quality reproduction.
Umapathy Karthikeyan, Krishnan Sridhar
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A Perceptual Model for Sinusoidal Audio Coding Based on Spectral Integration [PDF]
EURASIP Journal on Advances in Signal Processing, 2005 Psychoacoustical models have been used extensively within audio coding applications over the past decades. Recently, parametric coding techniques have been applied to general audio and this has created the need for a psychoacoustical model that is ...
Jensen Søren Holdt +4 more
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A Quasi-Orthogonal, Invertible, And Perceptually Relevant Time-Frequency Transform For Audio Coding
, 2015 International audienceWe describe ERB-MDCT, an invertible real-valued time-frequency transform based on MDCT, which is widely used in audio coding (e.g. MP3 and AAC).
Péter Balázs +2 more
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Anthropomorphic Coding of Speech and Audio: A Model Inversion Approach [PDF]
EURASIP Journal on Advances in Signal Processing, 2005 Auditory modeling is a well-established methodology that provides insight into human perception and that facilitates the extraction of signal features that are most relevant to the listener.
W. Bastiaan Kleijn +2 more
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Perceptual Coding of High-Quality Digital Audio
Proceedings of the IEEE, 2013 This paper introduces high-quality audio coding using psychoacoustic models. This technology is now abundant, with gadgets named after a standard (mp3 players) and the ability to play high-quality audio from literally billions of devices. The usual paradigm for these systems is based on filterbanks, followed by quantization and coding, controlled by a ...
Karlheinz Brandenburg +4 more
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Perceptual Loudness Compensation In Interactive Object-Based Audio Coding Systems [PDF]
2015 23rd European Signal Processing Conference (EUSIPCO), 2015 Publication in the conference proceedings of EUSIPCO, Nice, France ...
Jouni Paulus
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, 2015 International audienceState-of the art audio codecs use time-frequency transforms derived from cosine bases, followed by a quantification stage. The quantization steps are set according to perceptual considerations.
Ichrak Toumi, Olivier Derrien
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Multisensory training enhances anticipation skills in badminton novices [PDF]
Scientific ReportsIn racket sports like badminton, accurately predicting shot timing and spatial positioning allows athletes to better interpret opponents’ intentions and respond quickly.
Xiaoting Wang +3 more
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Perceptual Audio Coding: A 40-Year Historical Perspective [PDF]
ICASSP 2025 - 2025 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)In the history of audio and acoustic signal processing, perceptual audio coding has certainly excelled as a bright success story by its ubiquitous deployment in virtually all digital media devices, such as computers, tablets, mobile phones, set-top-boxes, and digital radios.
Jürgen Herre +3 more
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