Results 161 to 170 of about 829,596 (216)
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Art Journal, 1997
I have taught performance classes since the 1970s, first at the University of California, San Diego, and now at Mills College in Oakland. This current seminar is part of our regular curriculum, and I teach it every other year, revising it extensively each time. In recent years, I have produced photocopied “books” of students' essays.
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I have taught performance classes since the 1970s, first at the University of California, San Diego, and now at Mills College in Oakland. This current seminar is part of our regular curriculum, and I teach it every other year, revising it extensively each time. In recent years, I have produced photocopied “books” of students' essays.
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2023
This text investigates Jelili Atiku's performances and that of his peers via the theoretical frameworks of counter-histories and counter-monuments. The artists surveyed include Lubaina Himid Donkor Kimathi Yinka Shonibare and Esther Shalev-Gerz.
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This text investigates Jelili Atiku's performances and that of his peers via the theoretical frameworks of counter-histories and counter-monuments. The artists surveyed include Lubaina Himid Donkor Kimathi Yinka Shonibare and Esther Shalev-Gerz.
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The History and Performance of Concept Stocks
SSRN Electronic Journal, 2001Abstract This study investigates the performance of firms with extremely high levels of market to sales value (“concept stocks”). To many observers, these stocks appear overvalued. However, proponents argue that because of their unique characteristics, traditional pricing models fail to value these firms correctly. Ex post, the debate can be resolved
Jim Hsieh, Ralph A. Walkling
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TDR / The Drama Review, 2006
The fiesta celebrated annually in Tepoztlán, Mexico, repeatedly enacts a history—one that affirms a sense of identity and agency quite different from the one found in history books, allowing for the massive performance-of-communal-self year after year.
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The fiesta celebrated annually in Tepoztlán, Mexico, repeatedly enacts a history—one that affirms a sense of identity and agency quite different from the one found in history books, allowing for the massive performance-of-communal-self year after year.
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Pedagogy, 2011
This article charts the collaborative production of a play designed to show that performing literary history enables students' perception of history as process and performance. The play Before & After highlighted conventions of seventeenth-century prologues, epilogues, and gendered theatrical performance techniques through students' performances ...
Leslie Ritchie, Judith W. Fisher
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This article charts the collaborative production of a play designed to show that performing literary history enables students' perception of history as process and performance. The play Before & After highlighted conventions of seventeenth-century prologues, epilogues, and gendered theatrical performance techniques through students' performances ...
Leslie Ritchie, Judith W. Fisher
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2020
Galizien um 1900: Drei hoch gebildete Frauen engagierten sich für eine bessere Gesellschaft, Maria Wysłouchowa, Aktivistin der polnischen Bauernbewegung, Natalja Kobryns’ka, ruthenische Feministin, und Rosa Pomeranz, Zionistin. Sie sahen sich verschiedenen Nationalitäten verpflichtet und verfolgten unterschiedliche Ziele.
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Galizien um 1900: Drei hoch gebildete Frauen engagierten sich für eine bessere Gesellschaft, Maria Wysłouchowa, Aktivistin der polnischen Bauernbewegung, Natalja Kobryns’ka, ruthenische Feministin, und Rosa Pomeranz, Zionistin. Sie sahen sich verschiedenen Nationalitäten verpflichtet und verfolgten unterschiedliche Ziele.
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The Other History of Intercultural Performance
TDR (1988-), 1994In the early I9oos, Franz Kafka wrote a story that began, "Honored members of the Academy! You have done me the honor of inviting me to give your Academy an account of the life I formerly led as an ape" (1979:245). Entitled "A Report to an Academy," it was presented as the testimony of a man from the Gold Coast of Africa who had lived for several years
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Performative Performances: A History and Theory of the “Copyright Performance”
Theatre Journal, 2012Copyright performances—one-time, semi-staged productions created solely to secure performing rights in a play—pervaded the late-nineteenth-century British stage. This essay explains the history and rationale of copyright performances, going on to explore how copyright performances’ growth exposed changes in theatrical commerce, while anticipating ...
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