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Music as Performance

2012
The case for the prosecution is easily made. You can blame it on Stravinsky, who claimed that music should be executed and not interpreted, or on Schoenberg, who wrote that the performer was “totally unnecessary except as his interpretations make the music understandable to an audience unfortunate enough not to be able to read it in print” (Newlin 1980,
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Performing Music

2014
Abstract Grounded in the research and promising practices literature, Chapter 4 discusses concepts and skills, pedagogies, and technology related to musical performance. Technologies may be of assistance in developing psychomotor knowledge and skills, and in accomplishing effective musical practice.
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Musical Form and Musical Performance

Perspectives of New Music, 1971
Wallace Berry, Edward T. Cone
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Performing Music

1995
Abstract Shared Concerns: Performing Music is about aspects of music-making that have not previously been considered together and in an accessible form. It deals with `performance studies' as a coherent subject, exploring such issues as the ideas of anxiety and artistry, recent thought in the musical literature, tensions between ...
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Musical Performance and Music Education

Design For Arts in Education, 1990
David J. Elliott, Doreen Rao
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The varying social dynamics in orally transmitted and notated vs. improvised musical performance

Frontiers in Psychology, 2023
Tal-Chen Rabinowitch, Tamar Hadar
exaly  

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