Results 21 to 30 of about 586,465 (285)

Horizontalizando Relações entre Obra, Performances, Compositor e Performer

Revista Vortex, 2020
Embasado em algumas das importantes reflexões teóricas das últimas três décadas, o artigo objetiva discutir a percepção não-hierarquizada de relações entre obra, performances, compositor e performer, defendendo que a obra musical é um conjunto formado ...
Bruno Madeira
doaj   +1 more source

Performance Following: Real-Time Prediction of Musical Sequences Without a Score [PDF]

, 2012
(c)2012 IEEE. Personal use of this material is permitted. Permission from IEEE must be obtained for all other users, including reprinting/ republishing this material for advertising or promotional purposes, creating new collective works for resale or ...
Plumbley, MD, Stark, AM
core   +1 more source

INDIVIDUAL TRAJECTORY OF FORMING A PIANIST’S PERFORMANCE STYLE IN THE CONTEXT OF PERSONALISED LEARNING IN A HIGHER ARTS INSTITUTION

Studia Universitatis Babeş-Bolyai. Musica
This study aims to reveal the individual trajectory of their performance style formation. It is viewed as a progressive strategy with unique content that provides a flexible approach to each student.
Olha LIASHENKO, Yevhen KURYSHEV, Lyudmyla HARKUSHA, Tetiana BUTENKO, Valentyn KASIANOV   +4 more
doaj   +1 more source

The story of Oh: the aesthetics and rhetoric of a common vowel sound [PDF]

, 2007
Studies in Musical Theatre is the only peer-reviewed journal dedicated to musical theatre. It was launched in 2007 and is now in its seventh volume.
Daley M., Dominic Symonds, Most A.
core   +1 more source

Reliability-Informed Beat Tracking of Musical Signals [PDF]

, 2012
—A new probabilistic framework for beat tracking of musical audio is presented. The method estimates the time between consecutive beat events and exploits both beat and non-beat information by explicitly modeling non-beat states.
Antonio Pena, Enrique Argones Rúa, Mark D. Plumbley, Matthew E. P. Davies, Norberto Degara, Soledad Torres-guijarro, Student Member   +6 more
core   +2 more sources

Astor Piazzolla’s compositional and interpretive styling of his Tango Adiós Nonino across four decades of his career – insights into the emergence of Nuevo Tango

Cogent Arts & Humanities
Argentinian musician Astor Piazzolla is best known and celebrated for reinventing traditional Argentinian tango as Nuevo Tango by inviting jazz and classical influences into his compositions and performances.
Gina-Mihaela Pavel
doaj   +1 more source

A práxis da performance violonística: três gravações de “Omaggio a Boccherini”, de Tedesco

Revista Vortex, 2023
Neste trabalho propomos traçar vetores para as movimentações que determinados usos performáticos perfazem através dos tempos em performances de violão solo.
Caio Victor de Oliveira Lemos, Carolina Lindenberg Lemos   +1 more
doaj   +1 more source

Student musicians' self- and task-theories of musical performance : the influence of primary genre affiliation [PDF]

, 2009
165 undergraduate music students studying in Scotland completed a 30-statement Q-sort to describe their self and task-theories of musical performance. Statements reflected the importance of effort, confidence, technical ability, significant others and ...
Allan Hewitt, BROWN, CRUZ-ALCAZAR, DWECK, KERLINGER, MEYER, MILLS, STEPHENSON, STOCKFELT, VYGOTSKY   +9 more
core   +1 more source

Memória: uma chave afetiva para o sentido na performance musical numa perspectiva fenomenológica Memory: an affective key to the meaning of musical performance in a phenomenological perspective

Per Musi, 2010
Relato de experiência sobre a rotina de prática e atuação do quarteto de trombones Trombominas, no qual se propõe uma interlocução entre três eixos: performance musical, fenomenologia e a memória musical, enquanto função cognitiva.
Sérgio de Figueiredo Rocha
doaj   +1 more source

Colaboração, composição e preparação para a performance de “For guitar” para violão solo

Revista Vortex, 2020
O presente artigo consiste em uma discussão sobre diversos processos criativos relacionados à obra For guitar para violão solo, composta por Samuel Peruzzolo Vieira.
Márlou Peruzzolo Vieira, Samuel Peruzzolo Vieira   +1 more
doaj   +1 more source