Results 31 to 40 of about 9,575,480 (298)

The Processes of Eavesdropping: Where Tragedy, Comedy and Philosophy Converge

Performance Philosophy, 2015
Eavesdropping scenes, where one of the characters eavesdrops or spies on one or several of the other characters (usually with the knowledge of at least one of them) will serve as my point of departure for exploring the relations between tragedy, comedy ...
Freddie Rokem
doaj   +1 more source

Editorial - Performance Philosophy Vol 2(1) [PDF]

, 2016
This editorial introduces Volume 2, Issue 1 of Performance Philosophy, including articles that respond to an open call for submissions and the introduction of a new section, [Margins], that supports creative, non-standard approaches to the manifold ...
Theron Schmidt, Watt, Daniel, Cull Ó Maoilearca, Laura, Daniel Watt, Schmidt, T ; https://orcid.org/, Schmidt, Theron, Watt, D, Laura Cull Ó Maoilearca, Cull Ó Maoilearca, L   +8 more
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The Panacousticon: By Way of Echo to Freddie Rokem

Performance Philosophy, 2016
The impulse for this essay came about as a direct reaction to reading Freddie Rokem’s contribution in Volume 1 of this journal. Whereas Rokem refers to eavesdropping scenes in plays and philosophical discourse, I shall examine this act within the context
Caroline Wilkins
doaj   +1 more source

Laruelle, Immanence, and Performance: What Does Non-Philosophy Do? [PDF]

, 2017
François Laruelle’s ‘non-philosophical’ practice is connected to its performative language, such that to the question 'what is it to think?, non-philosophy responds that thinking is not “thought”, but performing.
John Ó Maoilearca, Ó Maoilearca, John
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Drama and Desire: Theorising entangled performance practice [PDF]

, 2022
From Plato’s erotic symposium, through sex and death on Early Modern British stages, to Freud’s venture beyond pleasure, the ludic practice of plays and playing has long been associated with desire.
Katafiasz, Kate Rose
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Ethics, Staged

Performance Philosophy, 2017
This article stages a dialogue between Giorgio Agamben’s theory of gesture and the 2016 reconstruction of Merce Cunningham’s 1964 choreography, Winterbranch.
Carrie Noland
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Editorial - Performance Philosophy Vol 2(2) [PDF]

, 2017
This editorial introduces Vol 2 No 2 of Performance ...
Eve Katsouraki, Cull Ó Maoilearca, Laura, Kélina Gotman, Schmidt, T ; https://orcid.org/, Laura Cull Ó Maoilearca, Katsouraki, E, Gotman, K, Theron Schmidt, Schmidt, Theron, Gotman, Kélina, Gotman, Kélina ; id_orcid, Katsouraki, Eve, Cull Ó Maoilearca, L   +12 more
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Editorial - Performance Philosophy Vol 3(1) [PDF]

, 2017
A brief introduction to Performance Philosophy Vol 3, No 1 ...
Theron Schmidt, Schmidt, T ; https://orcid.org/, Schmidt, Theron   +2 more
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Minding the Gap – of Indifference: Approaching ‘Performance Philosophy’ with Salomo Friedlaender (1871-1946) [PDF]

, 2015
The concept of "Creative Indifference" put forward by Salomo Friedlaender in his 1918 magnum opus, Schöpferische Indifferenz, provides much food for thought from a Performance Philosophy perspective. Friedlaender's work, which has been largely overlooked
Alice Lagaay, Lagaay, Alice
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Being and Showtime: ReView [PDF]

, 2022
In the ReView I will re-experience notions of time explored in “The About Time Show” (Chapter 6 of Being And Showtime) which repeats and extends Edmund Husserl’s Phenomenology and Time-Consciousness.
Fresh, Beverly
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