Results 31 to 40 of about 10,122,270 (299)
The Panacousticon: By Way of Echo to Freddie Rokem
The impulse for this essay came about as a direct reaction to reading Freddie Rokem’s contribution in Volume 1 of this journal. Whereas Rokem refers to eavesdropping scenes in plays and philosophical discourse, I shall examine this act within the context
Caroline Wilkins
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Laruelle, Immanence, and Performance: What Does Non-Philosophy Do? [PDF]
François Laruelle’s ‘non-philosophical’ practice is connected to its performative language, such that to the question 'what is it to think?, non-philosophy responds that thinking is not “thought”, but performing.
John Ó Maoilearca, Ó Maoilearca, John
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This article stages a dialogue between Giorgio Agamben’s theory of gesture and the 2016 reconstruction of Merce Cunningham’s 1964 choreography, Winterbranch.
Carrie Noland
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Minding the Gap – of Indifference: Approaching ‘Performance Philosophy’ with Salomo Friedlaender (1871-1946) [PDF]
The concept of "Creative Indifference" put forward by Salomo Friedlaender in his 1918 magnum opus, Schöpferische Indifferenz, provides much food for thought from a Performance Philosophy perspective. Friedlaender's work, which has been largely overlooked
Alice Lagaay, Lagaay, Alice
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The contemporary quarrel between performance and literature : reflections on performance (and) philosophy [PDF]
This article argues for an understanding of performance as being motivated by a principle of autotelicity that suspends all considerations other than those of the performance itself as it unfolds in creative free play.
James Corby, Corby, James
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On (In)security: A conversation on education and intergenerational dialogues [PDF]
This paper presents a Q&A conversation held at the Performance Philosophy Biennial in Amsterdam, 2019. Three presentations responded to the conference call of ‘intervening in the habit of academia as a place for mature or adult voices,’ by exploring ...
Bebek, Carolin +3 more
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Deleuze and Guattari’s rejection of Conceptual art is well known, and sits awkwardly with the current hegemony of ‘post-conceptual’ artistic practices.
Stephen Zepke
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The paper adresses dance in regard to logistical capitalism and its operational politics. Operational politics denotes the control of processes from their inside, regulated and modulated by their very own logic. Instead of subsuming processes to external
Gerko Egert
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Practically rooted in a report on the activities and inquiries of a year-long thinktank performance, this chapter discusses how Arendt’s notions of “withdrawal” into thought (1978), discursive formation of reasonabilities (1958), and use of personal ...
Esther Neff
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The COVID-19 pandemic has affected contemporary performing arts in several ways, not least in the form of mass cancellations of performances and production processes in many countries around the world in the year 2020.
Georg Döcker
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