Results 11 to 20 of about 82,043 (302)

being surface

open access: yesPerformance Philosophy, 2022
This paper problematizes the ways in which performance art might be philosophy, and vice versa, that is; how philosophy might operate as embodied praxis and method.
Despina Zacharopoulou
doaj   +3 more sources

The ‘Philosophy of Performance’ and the Performance of Philosophy

open access: yesPerformance Philosophy, 2015
The notion of the 'philosophy of x', which has recently tended to become part of many subjects, from music to management, tends to obscure a range of important issues. The idea behind it seems to be that, by designating one's reflections on a subject as the ‘philosophy’ of whatever it is one is reflecting about, one achieves some kind of higher insight.
Andrew Bowie, Bowie, Andrew
openaire   +5 more sources

Introduction: Philosophy On Stage: The Concept of Immanence in Contemporary Art and Philosophy

open access: yesPerformance Philosophy, 2017
This special issue of the Performance Philosophy journal—the first bilingual edition in German and English—is one output of the research project “Artist-Philosophers.
Arno Böhler   +2 more
doaj   +3 more sources

Performing Philosophy in Asian Traditions

open access: yesPerformance Philosophy, 2015
Performing Philosophy in Asian ...
Böhler, Arno   +2 more
openaire   +4 more sources

Performativity of Death in Post-Soviet Russia: The Party of the Dead's growing membership

open access: yesPerformance Philosophy, 2022
Our research group AGITATSIA unites researchers connected with post-Soviet history (from Belarus/Germany, Russia, USA/Estonia and France), and with interest in collectivity and multidisciplinary approach.
Agitatsia
doaj   +3 more sources

Cancelled Time

open access: yesPerformance Philosophy, 2022
The COVID-19 pandemic has affected contemporary performing arts in several ways, not least in the form of mass cancellations of performances and production processes in many countries around the world in the year 2020.
Georg Döcker
doaj   +3 more sources

Missing the Wrong Target: On Andrew Bowie’s Rejection of the Philosophy of Music

open access: yesPerformance Philosophy, 2015
Andrew Bowie rejects the philosophy of music. He does so because it (allegedly) objectifies music and because it (allegedly) only ever affirms the practitioner’s prior philosophical assumptions.
Tomas McAuley
doaj   +3 more sources

Equalizing Theatre and Philosophy: Laruelle, Badiou, and gestures of authority in the philosophy of theatre

open access: yesPerformance Philosophy, 2017
In this article I engage François Laruelle’s notion of ‘non-standard’ aesthetics to provide a critical perspective on Alain Badiou’s various pronouncements on the philosophy of theatre.
Laura Cull Ó Maoilearca
doaj   +3 more sources

Sites of Appearance, Matters of Thought: Hannah Arendt and Performance Philosophy

open access: yesPerformance Philosophy, 2019
This editorial introduces this special issue on the thresholds, borders, and dialogues between Hannah Arendt’s work and performance philosophy, bringing together contributions that investigate political resistance, thought, and practice.
Diana Damian Martin, Theron Schmidt
doaj   +3 more sources

Performance Philosophy 7(2) (2022): Imagining the open

open access: yes, 2022
This is the editorial for Performance Philosophy 7(2 ...
Martin, DD   +6 more
core   +1 more source

Home - About - Disclaimer - Privacy