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Labyrinth: an International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics, 2018 This article draws from François Laruelle's non-standard philosophy to locate gestures of philosophical "authority" or 'sufficiency" within recent work in the philosophy of theatre - including material from contemporary Anglo-American philosophical aesthetics, and texts by Alain Badiou, such as In Praise of Theatre (2015).
Laura Cull
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Pine-ing for a Voice: Vegetal agencies, New Materialism and State Control through the Wollemi Pine
Performance Philosophy, 2021 Attending to Wollemia nobilis (Wollemi Pine), we read this plant as ensconced and mobilised by political and politicised forces, towards distinct colonial and imperial ends. Seeking to work beyond a language of flowers, we attune to the appropriation and
Chantelle Mitchell, Jaxon Waterhouse
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Performance Philosophy: an introduction [PDF]
Revista Brasileira de Estudos da Presença, 2020 Abstract: This article introduces performance philosophy, despite the risk of performative contradiction such an act involves. First, it considers performance philosophy as a field that questions how performance thinks and thought is performed (including, specifically as philosophy). Drawing from Laruelle’s non-philosophy, it then addresses performance
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Performance Philosophy, 2015 This paper deals with feminist cultural politics, nomadic thought and media activism. It combines theoretical insights from Gilles Deleuze’s philosophy with Riot Grrrl bands and women’s punk music. The paper explores two central aspects of the Pussy Riot’
Rosi Braidotti
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A dialogue on / In performance philosophy
Human Affairs, 2021 Abstract This dialogue was produced by an email exchange, with each email limited to 200 words. The exchange took place between 21 January and 9 June, 2021. No edits were allowed once ‘send’ had been pressed and there was to be no other correspondence between the participants for the duration of the dialogue. The Call for Papers for this
Maoilearca, LCÓ, Tartaglia, J
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“Out, and under, and out, and out.” Self-(Dis-)Organisation and the Stories of Libertatia
Performance Philosophy, 2019 Recent socio-political developments in the experimental performing arts scenes from Europe have seen a strong commitment to the practices of self-organisation and their liberating impetus.
Georg Doecker
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7 Abiku solos for 11 bacteria falling through
Performance Philosophy, 2023 This article explores the profound themes and conceptual framework of the performance installation, "7 Abiku solos for 11 bacteria falling through" which merges sounds, texts, images, and movement to engage the audience in an imaginative exploration of ...
Flavia Pinheiro
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The Artist as Facilitator: Being present with & loving the unknown
Performance Philosophy, 2019 Object-Oriented Ontology presents stark implications for the process of the artist. If all matter is alive, then all things are co-performers, and all art becomes performance. How does one work with the presence of the non-human, and what are the ethical
Meghan Moe Beitiks
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Unzeitgemäße Betrachtung. Nietzsche et cetera.
Performance Philosophy, 2017 Die Lecture-Performance „Unzeitgemäße Betrachtung. Nietzsche et cetera“ wurde bei dem Forschungsfestival Philosophy On Stage#4 am Tanzquartier Wien uraufgeführt, das sich zum Ziel gesetzt hatte, neue Allianzen zwischen Philosophie und den Künsten zu ...
Arno Böhler
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Attempts on (writing) her life: ethics and ontology in pro-feminist playwriting
Performance Philosophy, 2017 Does a feminist dramaturgy exist for male playwrights? The post-1990s work of British playwrights Simon Stephens, Tim Crouch and Martin Crimp variously enact an attrition between female protagonists and male writers.
Kai Roland Green
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