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Performance Practices for Baroque and Classical Repertoire
2022Abstract The chapter provides a summary of key issues pertaining to performing music from the Baroque and Classical periods. It describes the prevalent aesthetics of the period that expected the performer to be a skilled orator and perform in a rhetorical, detailed style as if delivering a clearly structured, affective speech.
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Performance Practices for Romantic and Modern Repertoire
2022Abstract This chapter examines performance practices in the long nineteenth century roughly spanning 1800–1950, the Romantic and Modern eras. It is structured in three parts. The first explores important concepts about performance traditions and performance practices in the era including: the meaning of music notation and notational ...
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Hawaiian Hula Competitions: Event, Repertoire, Performance, Tradition
The Journal of American Folklore, 1996While competitions have been significant in stimulating perpetuation of the hula since the cultural resurgence of the early 1970s, these very events have provided the stage for creativity that has transformed the tradition. I describe the competition events and examine how their circumstances have impacted repertoire, performance, and presentation ...
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Nanguan Music Repertoire: Categories, Notation, and Performance Practice
Asian Music, 1988Etude d'une tradition musicale Chinoise, opera ou musique de chambre, repandue egalement chez les Chinois d'Asie du Sud-Est, de Taiwan et de Hong ...
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Time Horizon Diversity, Competitive Repertoire Balance, and Firm Performance
Academy of Management Proceedings, 2017Integrating competitive dynamics with temporal disposition research in psychology, we investigate how CEO polychronicicity (the tendency to engage in multiple activities simultaneously rather than ...
Jianhong Chen +2 more
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Gestural systems for the voice: performance approaches and repertoire
Digital Creativity, 2018ABSTRACTSinging, like dance, emerges directly from the body. The voice, in combination with whole body movement, constitutes a potent form of self-expression.
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Exploration Of Vocal Repertoire In Performance
This project consists of a 25-minute vocal recital accompanied by a written component. The vocal recital includes repertoire from each of the four main periods of music history (Baroque, Classical, Romantic, and Contemporary) and works in English, Italian, French, and German.openaire +1 more source
The performer’s body in creative interpretations of repertoire music
Arts and Humanities in Higher Education, 2016Recent developments in the performing arts have led Western classical instrumentalists to reconsider their own creative input in their interpretative practice. Still recognising the composer as a main creative source, a fresh approach to interpretation specifically embraces possibilities for shared creativity.
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Early Timpani Performance Practice in Modern Solo Repertoire
2018Timpanists of the Baroque era were virtuoso showmen of privileged rank, protected by royal decrees throughout Europe. These musicians learned by rote through apprenticeship performance mannerisms called Schlagmanieren which encompassed rudimentary rhythmical figures and embellishments, as well as performance style.
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