Results 21 to 30 of about 1,451 (147)

The Travesty of Petrarchism: The Traces of “La Pléiade” in the 17th–Century French Burlesque Poem [PDF]

open access: yesStudia Litterarum
The object of research in this article is the “caprice” (burlesque poem) Melon (1634) by the French poet M.A.G. de Saint-Amant who at the end of the 17th century, despite the negative attitude of Nicolas Boileau-Despréaux to his work, was revered by the ...
Andrey V. Golubkov
doaj   +1 more source

Pearls, Diamonds and Coins: Fashioning the Beloved's Body in Carol Ann Duffy's Poetry

open access: yesLectora: Revista de Dones i Textualitat, 2020
Carol Ann Duffy inherits and reworks many of the codes and conventions of canonical love poetry; from her position as an acclaimed contemporary poet interested in giving voice to marginal and dissident subjects and transforming poetry from within, she ...
Julieta Flores Jurado
doaj   +1 more source

Guía rápida para el estudio de Petrarca en la península Ibérica. Versiones y menciones [PDF]

open access: yes, 2015
The purpose of this guide is to provide a flexible and useful tool, as a catalogue and bibliography, to the study of petrarchism in the Iberian Peninsula during the Late Middle Ages and Renaissance.El propósito de esta guía es ofrecer un instrumento ágil
Valero Moreno, Juan Miguel
core   +3 more sources

Reading Philippe Desportes in Le Rencontre des muses de France et d'Italie [PDF]

open access: yes, 2011
Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/91235/1/j.1477-4658.2011.00729.x ...
Eschrich, Gabriella Scarlatta
core   +1 more source

Beyond the story of storytelling: the Narrator as Lover in Ariosto’s Orlando Furioso [PDF]

open access: yes, 2015
The article builds on the well-established tradition of studies devoted to metanarration and metafiction in Ariosto’s Orlando furioso to focus on the Narrator as a key self-reflexive device, while questioning the common identification of the Narrator as ...
Pich, F
core   +1 more source

Avant l’âge d’or : pour une histoire du sonnet imprimé en Angleterre (1547-1592)

open access: yesEtudes Epistémè, 2022
The history of the early modern English sonnet is well known. However, the discrepancy between, on the one hand, the relative absence of the sonnet (strictly defined) in the 1560s and 1570s, and, on the other hand, its sudden success in the 1590s ...
Rémi Vuillemin
doaj   +1 more source

Petrarch 2: Petrarcher

open access: yesSSRN Electronic Journal, 2016
PETRARCH 2 is the fourth generation of a series of Event-Data coders stemming from research by Phillip Schrodt. Each iteration has brought new functionality and usability, and this is no exception.Petrarch 2 takes much of the power of the original Petrarch's dictionaries and redirects it into a faster and smarter core logic.
openaire   +2 more sources

Petrarchism and perspectivism in Garcilaso's sonnets (1, 10, 18, 22)

open access: yes, 2013
Recent scholarship on Garcilaso de la Vega has contested the traditional view of his poetry as natural, transparent, and authentic and drawn attention to its intertextual and metatextual sophistication.
Amann, Elizabeth
core   +1 more source

The Spanish and the Russian Quevedo: Difficulties in translating a conceptist sonnet

open access: yesШаги
Although Francisco de Quevedo’s sonnets, unlike, for example, Shakespeare’s, have not become a fact of Russian culture and literature, the existing experience of translating them is of interest from the point of view of the very possibility of conveying ...
M. B. Smirnova
doaj   +1 more source

Between Repentance and Desire: Women Poets and the Word in Early Modern Italy

open access: yesReligions, 2023
In early modern Italy, lyric poets of spiritual verse experimented with engaging and depicting the divine Word in novel ways. They aestheticized bodies, including that of Christ, and they imagined eroticized encounters between themselves and the Word ...
Sarah Rolfe Prodan
doaj   +1 more source

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