Results 21 to 30 of about 3,015 (192)

Issues in Review: New Developments in Commedia Research: The Commedia dell'Arte: New Perspectives and New Documents [PDF]

, 2008
Introduction to "Issues in Review: New developments in commedia research", 141-240, guest editor M A Katritzky. The first of six articles in this section, it introduces the five further articles, by Maria Ines Aliverti (158-180), Rosalind Kerr (181-197),
Katritzky, M. A.
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Traduction et imaginaires du Canzoniere de Pétrarque, parcours comparés d’artistes et traducteurs . Glomeau et Feltesse, Aragon et Picasso, Bonnefoy et Titus-Carmel

Lea, 2020
This essay analyses Petrarchist imaginary through several French editions of the Canzoniere in order to explore the relations between poetic translation and images, textuality and imagination (Bachelard 1960).
Riccardo Raimondo
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'Las partes donde Amor el cetro tiene': Uncanonical Love in Francisco de Aldana's 'Medoro y Angélica' [PDF]

, 2014
Francisco de Aldana has been called a ‘forgotten poet’ of Spain's Golden Age perhaps owing to poems, such as ‘Medoro y Angélica’, which continue to challenge attempts at definition and categorization. These difficulties could be attributed to the tension
Lennon, PJ
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Petrarch's French fortunes: negotiating the relationship between poet, place, and identity in the sixteenth and nineteenth centuries

Relief: Revue Électronique de Littérature Francaise, 2018
This article reconsiders Petrarch’s French afterlife by juxtaposing a time of long-recognised Petrarchism — the sixteenth century — with a less familiar and more modern Petrarchist age, the late eighteenth and early nineteenth centuries.
Jennifer Rushworth
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The Travesty of Petrarchism: The Traces of “La Pléiade” in the 17th–Century French Burlesque Poem [PDF]

Studia Litterarum
The object of research in this article is the “caprice” (burlesque poem) Melon (1634) by the French poet M.A.G. de Saint-Amant who at the end of the 17th century, despite the negative attitude of Nicolas Boileau-Despréaux to his work, was revered by the ...
Andrey V. Golubkov
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Pearls, Diamonds and Coins: Fashioning the Beloved's Body in Carol Ann Duffy's Poetry

Lectora: Revista de Dones i Textualitat, 2020
Carol Ann Duffy inherits and reworks many of the codes and conventions of canonical love poetry; from her position as an acclaimed contemporary poet interested in giving voice to marginal and dissident subjects and transforming poetry from within, she ...
Julieta Flores Jurado
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Reading Philippe Desportes in Le Rencontre des muses de France et d'Italie [PDF]

, 2011
Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/91235/1/j.1477-4658.2011.00729.x ...
Eschrich, Gabriella Scarlatta
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Beyond the story of storytelling: the Narrator as Lover in Ariosto’s Orlando Furioso [PDF]

, 2015
The article builds on the well-established tradition of studies devoted to metanarration and metafiction in Ariosto’s Orlando furioso to focus on the Narrator as a key self-reflexive device, while questioning the common identification of the Narrator as ...
Pich, F
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Avant l’âge d’or : pour une histoire du sonnet imprimé en Angleterre (1547-1592)

Etudes Epistémè, 2022
The history of the early modern English sonnet is well known. However, the discrepancy between, on the one hand, the relative absence of the sonnet (strictly defined) in the 1560s and 1570s, and, on the other hand, its sudden success in the 1590s ...
Rémi Vuillemin
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Petrarch 2: Petrarcher

SSRN Electronic Journal, 2016
PETRARCH 2 is the fourth generation of a series of Event-Data coders stemming from research by Phillip Schrodt. Each iteration has brought new functionality and usability, and this is no exception.Petrarch 2 takes much of the power of the original Petrarch's dictionaries and redirects it into a faster and smarter core logic.
openaire   +2 more sources