Results 51 to 60 of about 3,015 (192)
A canção à Virgem na literatura portuguesa do século XVI [PDF]
, 2015 This article studies the imitation of Petrarca’s song to the Virgin in sixteenth-century Portuguese literature and aims to show how it led to a rich vein in itself.
Marnoto, Rita
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Sustainable Development, Volume 33, Issue 3, Page 3879-3887, June 2025.ABSTRACT Global resource use and emissions continue to rise despite the widespread adoption of more energy‐efficient products and technologies. The current research addresses this green paradox by examining how the availability of rooftop solar panels and other energy‐saving green features leads to rebound effects that inadvertently increase the ...
Erik L. Olson
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Revista de Filología Románica, 2018 Due to its aesthetic characteristics of perfection and harmony, but also of repetition and homologation, Renaissance love poetry has often been object of limited attention by the critics, who have briskly labelled it Petrarchism.
Matteo Trillini
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DIE ARBEIT DES ÜBERSETZENS: RILKE UND MICHELANGELO („SE ’L MIE ROZZO MARTELLO‘‘)
German Life and Letters, Volume 78, Issue 2, Page 194-216, April 2025.ABSTRACT This essay examines Rainer Maria Rilke's reception of the sculptor and poet Michelangelo in the context of interest in the Renaissance around 1900, focusing first on the Stundenbuch, the Florenzer Tagebuch and the story ʻVon einem, der die Steine belauschtʼ (from the prose collection: Geschichten vom lieben Gott).
Astrid Dröse, Jörg Robert
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Education towards a reasonable humanism
Philosophical Investigations, Volume 48, Issue 2, Page 143-161, April 2025.Abstract Education is twice over concerned with human nature, most extensively as it is presupposed in the pursuit of diverse aims, and more specifically, as understanding it and applying such understanding are themselves made objects of study and teaching. The latter was a principal concern of ancient, renaissance and enlightenment humanists.
John Haldane
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Le antiche versioni spagnole di S’amor non è, che dunque è quel ch’io sento? (Rvf CXXXII)
Cahiers d’Études Italiennes, 2018 The sonnet S’amor non è, che dunque è quel ch’io sento? “dovette incontrare tanto favore fino al sec. XVIII”, because it showed, like others, “una tendenza agli artifici della vecchia lirica” and “nulla di tipicamente petrarchesco” (Mario Praz, 1935 ...
Marco Federici
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Lacanian realism: Literatura de la crisis and Ángel Zapata's aesthetic of failure
Orbis Litterarum, Volume 80, Issue 1, Page 74-93, February 2025.Abstract Since Spain's socio‐economic crisis of the 2010s, critical approaches have analysed the surge in literature which addresses the crisis's political and socio‐economic consequences. These approaches have largely assessed literature by its capacity to raise readers' awareness of capitalist exploitation.
Alejandro Veiga‐Expósito
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Petrarch and the Significance of Dialogue [PDF]
, 2021 Aaron L. Chung, Charles Walter Irwin
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Venus förvisning och återkomst
Tidskrift för Litteraturvetenskap, 2012 The Banishment and Return of Venus: Skogekär Bergbo’s Wenerid as Occasional Poetry This article deals with the Swedish sonnet sequence Wenerid, written by the pseudonym Skogekär Bergbo in the tradition of Petrarch.
Lars Gustafsson
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The patterns of the Estonian sonnet: periodization, incidence, meter and rhyme [PDF]
, 2017 The first sonnets in Estonian language were published almost 650 years after this verse form was invented by Federico da Lentini in Sicily, in the late of 19th century.
Lotman, Rebekka
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