Results 11 to 20 of about 1,851 (192)
Fantasmagoria e terror no cinema brasileiro contemporâneo
In two recent Brazilian horror films – O nó do diabo and O diabo mora aqui – there are phantasmagorias related to slavery. In these narratives, the violent past comes to the present as an unexpected irruption.
Jaime Ginzburg
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Abstract We argue that discourses around forced sterilization and abortion restrictions too often focus on motherhood and fertility and ignore the multiple other harms they bring. To do this, we travel with the North American framework of reproductive justice (RJ) to think through experiences of (non)reproduction in Peru and consider its analytic ...
Julieta Chaparro‐Buitrago +1 more
wiley +1 more source
ABSTRACT This chapter examines poetic works by the Swiss‐German performance poet Nora‐Eugenie Gomringer that draw on monsters as a conceptual lens to engage with experiences of vulnerable subjects, that is, those that have experienced harm or violence or are considered especially susceptible to these risks. The anthology Monster Morbus Moden (2013–17),
Annegret Märten
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Our contribution attempts to demonstrate how phantasmagoria, an optical device that projects a medley of animated image, strongly influencing the nature of vision and perception in the 19th century, manages to transgress the border between the real and ...
Christine Schmider
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Neither dead nor alive: Participatory slum governance as a zombie program
Abstract This article focuses on PREZEIS, an internationally acclaimed participatory slum governance program in Recife, Brazil. PREZEIS was implemented in 1987 and emerged out of a strong popular movement that resisted forced evictions of squatter settlements under the military regime (1964–1985).
Sven da Silva +2 more
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This essay is an allegorical reading of Shanghai futures through a fictive woman, Wang Qiyao, in Wang Anyi’s novel, The Song of Everlasting Sorrow: A Novel of Shanghai (1996). The novel is about her life in China from the 1940s to the 1980s.
Ian Ho-yin Fong
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La photographie comme fantasmagorie dans La Venue des esprits de la compagnie Mesden
This article questions the aestethic issues of the crosstalks of photography and theatre on the contemporary scene, based on an in-depth study of a show by Laurent Bazin and the Mesden company entitled La Venue des esprits.
Magali Chiappone-Lucchesi, Julie Noirot
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El velo de la fantasmagoría = The phantasmagoria veil
Resumen La imagen es un sistema visual que condiciona la percepción individual y social de una época. Una imagen no es una mera representación denotativa de la realidad que nos circunda, en ella convive una serie de códigos recogidos por la mirada del ...
Francisca Beneyto Ruiz
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Between silence and speech: spectres and images in the aftermath of the Reign of Terror
The study of responses to mass atrocities is overwhelmingly focused on the present; yet societies in the past also had to deal with the difficulties that arise in the aftermath of such events.
Ronen Steinberg
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